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<p>A spate of audacious break-ins and smash-and-grab raids at luxury premises is threatening to dim Hong Kong’s well-earned reputation as a beacon of low crime. Although the city is still hailed among the safest in the world, a five percent increase in the number of crimes recorded last year has put the spotlight on beefing up security for homes, stores and businesses.</p>



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<p>A daring early-morning robbery at Ginza Xiaoma in Central sent shockwaves through Hong Kong last November. After smashing into the premises, thieves took just a few minutes to grab more than 60 Hermes handbags from the 17th-floor retail outlet, having seemingly waltzed past building security. In an earlier frightening raid at an Emperor Watch &amp; Jewellery store in Tsim Sha Tsui, knife-wielding intruders confronted staff and swiped a HK$22 million jade necklace.</p>


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<p>Just last month two tailor shops in Tsim Sha Tsui were burgled, with a reported HK$3 million in cash and gold snatched. The thief reportedly forced the door open in the first shop, then stole the key to enter the owner’s neighbouring store.</p>



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<p>Deluxe residences have also been targeted in Sai Kung and elsewhere in the New Territories – possibly because they are seen as relatively easy pickings. Public figures are not immune from burglaries, either. The home of former Hong Kong police chief Andy Tsang was broken into while he and his family were away, and the mansion of tycoon Cecil Chao has been targeted twice, with millions in cash and valuables taken.</p>



<h3 class="wp-block-heading">Extra Vigilance</h3>



<p>While stressing that Hong Kong is still a relatively safe city, Parth Shah, CEO of jade atelier Fyoro, admits: “Recent events do make us think more about safety and being more vigilant. One does need to be more aware and have colleagues trained for any incidents.” He adds: “Stores on the retail level or the ground floor tend to be slightly more vulnerable.”</p>


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<p>Fyoro is on a higher floor in a secured building. “We have a full security system, including safe vaults that are strong,” says Shah, noting that heavy doors, vaults and enforced walls are all essential in his business.</p>



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<p>Since insider information is often used to breach security during robberies, he advocates diligence when hiring staff, providing proper training, and limiting access to valuables to only a few highly trusted individuals. Having advance knowledge of the security systems in place, as well as scouting the area and observing staff routines are typical modus operandi for thieves.</p>



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<h3 class="wp-block-heading">Higher Insurance</h3>



<p>Insurance is a concern for those owning high-value businesses, and Shah indicates that premiums and deductibles have increased. “We have taken on higher insurance measures, and the compliance and paperwork required for this is much more stringent [than before],” he notes. “Also, it is essential that one ensures that the outsourced systems and inhouse security systems are combined to be compliant with insurance requirements.”</p>


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<p>As a provider of precious jadeite jewellery and luxury gifts, Fyoro operates on an appointment-based model. “This means we have relative control over foot flow,” says Shah. Higher-value items receive increased security provision: “We have differentiated methods of storing and layering in security, depending on the value. We also have additional in-office security features. We have a checklist and system of how goods are stored every day.</p>



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<p>“Anyone [viewing] goods in our office would have at least two cameras watching [them], in addition to further security layers. But we have to keep it discreet.”&nbsp;</p>



<h3 class="wp-block-heading">Safe and Secure</h3>



<p>Ramped-up security can still be aesthetically pleasing, according to Kevin Man of Manton Security. For instance, Man notes that today’s sophisticated security features can seamlessly match the architectural heritage of the building. Munitus, a purveyor of bespoke security doors and windows, tailors security levels according to clients’ needs – bullet-proofing is available. US company Brown Safe specialises in luxury home and jewellery safes that can not only ably withstand severe attack – some were designed for the military – but also come with exotic interiors.</p>



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<p>“We also do strong rooms for clients – these are like panic rooms and can also act as a safe,” says Man. “They have nice finishing inside and can come with a hidden door, meaning people don’t realise [they are installed].”</p>



<h3 class="wp-block-heading">Automated Protection</h3>



<p>Given the increasingly sophisticated technology used by bad actors to bypass protections, Shah outsources this aspect of his company’s security to a specialised firm. “The main vulnerabilities in terms of software would be from their end,” he says.&nbsp;</p>



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<p>Artificial intelligence can also be used to assess potential risks with clients, alert owners of red flags, and integrate with the police or the authorities. “But AI software would need to be matched with hardware that is also strong and evolving,” he advises.&nbsp;</p>


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<p>ImageDeep founder Niall Dorr, who has been providing automated security solutions for 20 years, advocates AI-driven security systems that offer 24/7 vigilance without human vulnerabilities. For instance, equipping luxury homes with AI cameras and perimeter sensors, and watermarking art and jewellery collections. “If intruders attempt a quick getaway, our system issues audio warnings and notifies police within seconds, while watermarking ensures recovered items are returned,” he says.</p>



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<p>An AI-driven anomaly detection system should also pick up on pre-raid reconnaissance via drones or loitering, and will counter signal mimicry with encrypted access controls.</p>



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<p>For jewellery stores, Hong Kong-headquartered ImageDeep can install smoke screens to disorientate thieves and prevent theft; implement biometric access for storerooms; and provide inventory tracking to prevent smash-and-grab raids or internal theft. “Our systems have protected high-value retail, reduced risks and secured insurance benefits,” says Dorr.</p>



<h3 class="wp-block-heading">Reducing Shrinkage</h3>



<p>He suggests firms employ technological solutions to combat the problem of internal theft, also known as shrinkage. “Use biometric authentication – fingerprint or facial recognition – and encrypted key-card systems to restrict access to areas storing valuables, such as safes, storerooms or display cases,” he explains. “Our AI surveillance tracks access in real time, logging entries with video evidence to ensure accountability. In Hong Kong’s luxury market, where items have high-unit values, even small losses can result in substantial financial impact.”</p>


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<p>He also warns that poor tracking can lead to losses, especially for businesses with large inventories of luxury goods, like car dealerships or jewellery retailers. Implementing IoT-enabled inventory tracking with RFID (radiofrequency identification) tags and cloud-based analytics to monitor valuables from production to sale or storage is recommended. “This ensures real-time visibility, prevents accidental losses, and flags discrepancies instantly, reducing shrinkage,” he says.</p>



<h3 class="wp-block-heading">Watermarking Deterrent</h3>



<p>Invisible, non-obtrusive watermarking of high-value items like jewellery, watches or even vehicle components will aid traceability, which is critical for recovery and deterrence. “Our invisible watermarking embeds unique codes on luxury goods, ensuring 100 percent accuracy in tracing stolen items back to the owner or store,” says Dorr.</p>



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<p>This can be backed by prominent signage to deter potential thieves, informing them that stolen goods can be traced and their risk of conviction is increased. “This is especially effective for both home collections and retail inventory,” he notes.</p>


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<h3 class="wp-block-heading">Asleep on the Job?</h3>



<p>According to Dorr, relying solely on security personnel to protect high-value assets is unwise due to human limitations such as fatigue, bribery or intimidation. Given Hong Kong’s current shortage of security guards, he also argues that installing around-the-clock remote monitoring by AI comes at a lower cost.</p>



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<p>“Our systems, including drones for large properties or construction sites, cover remote areas and are immune to tampering or threats,” he says. “A luxury home or dealership can be secured over a weekend without entrusting your millions to a single guard.”</p>


Guardians of Our Luxury：Enhanced security – human and AI – is a hot topic in Hong Kong amid recent high-profile burglaries


<p>Shopping for priceless art at auction with virtual money is fast becoming a reality. Earlier this year, Christie’s accepted payment by cryptocurrency on the vast majority of lots – about 93% – in an auction dedicated to art created by artificial intelligence. It’s a transactional breakthrough that will be welcomed by many, especially young, tech-savvy art investors, yet others are still to be convinced of digital currency’s durability, and highlight its potential risks.</p>



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<p>Cryptocurrency was first used as payment for a physical artwork at a major auction house four years ago, according to Michael Bouhanna, Sotheby’s Head of Digital Art and NFTs in New York. The sale in question, in May 2021, involved the quintessential Banksy painting <em>Love is in the Air</em>, with Sotheby’s providing the option to pay in Bitcoin (BTC) or Ether (ETH) via the Coinbase exchange.</p>



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<p>“We made a decision to accept cryptocurrency for selected physical works in 2021 in response to the evolving art market and to attract an additional pool of collectors,” says Bouhanna of this pioneering initiative. “We were noticing an increasing appetite among collectors – many of a younger generation – for seamless payment options when doing business with us, and for many, this provided another method to participate in our sales.”</p>


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<h3 class="wp-block-heading">Confidence in Compliance</h3>



<p>As with any other payment at auction, compliance checks and due diligence for crypto transactions are rigorous and all-important, especially given that the sums involved can be astronomical, equivalent to millions of US dollars. “Crypto is no different from any of the other currencies we accept, and all transactions are subject to applicable laws and regulations in whichever currency they choose to pay in,” states Bouhanna.</p>



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<p>He adds that Sotheby’s has been accepting crypto for some time now on individual lots and groups of works, and the auction house will continue to offer it as an option when it makes sense. “It’s important that everyone who transacts with us [in virtual currency] feels as welcome in our world as any other client,” he says.</p>



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<p>Other auction houses are getting in on the act, too. Phillips Hong Kong accepts crypto on certain occasions when it is perceived to be a fit. During Hong Kong Art Week 2025, payment by crypto was offered for a <em>Spaces</em> digital art exhibition of eclectic works reflecting upon the intersection of art, technology and impermanence.</p>



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<p>Not all auction houses have taken up the crypto baton, though. Bonham’s indicated that its policy at this juncture is not to accept cryptocurrency as a form of payment.</p>



<h3 class="wp-block-heading">Tapping into New Wealth</h3>



<p>Sean Hung, founder and CEO of fintech platform Acwires, can see the logic in auction houses beginning to accept crypto, aligning with how young collectors want to transact. “Over the past decade, there’s also been a lot of new wealth generated from cryptocurrency-related businesses such as service operation, trading, decentralised applications, et cetera. They are part of the new wave of collectors that auction houses would like to target,” he says.</p>



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<p>The digital currency expert believes the future lies in convergence between crypto and traditional finance, between accessibility and compliance. Acwires allows users to buy and sell crypto with their credit card, regardless of jurisdiction and currency, and previously he helped to build Diginex, which became the first crypto exchange to list on Nasdaq.</p>



<h3 class="wp-block-heading">Regulatory Clarity</h3>



<p>He is convinced that as regulatory clarity improves and infrastructure evolves, crypto will become part of everyday commerce. “We are already seeing a shift as mainstream payment companies and banks have started working closely with crypto service providers,” he notes.</p>


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<p>As Hung shares, blockchain transactions are inherently transparent – but pseudonymous. “The transaction is visible, but the identity behind a wallet isn’t public unless disclosed,” he says. “We still have to rely on traditional KYC [Know Your Customer] procedures to attach a wallet to the actual buyer’s identity.” He adds that there are forensics firms able to trace a wallet’s previous transactions to identify if it has been associated with suspicious activities.</p>



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<p>Some financial commentators have suggested it is possible to evade a blockchain’s transparency through crypto mixers. Hung says leading platforms and regulated payment providers screen for such activity, and the focus now is on building infrastructure that is compliant with anti-money laundering standards through traditional KYC, and also KYT (Know Your Token) policies.</p>



<h3 class="wp-block-heading">Risks and Rewards</h3>



<p>Sam Kima, Senior Vice-President of First Gold, believes Sotheby’s and Christie’s adoption of cryptocurrency is a calculated bet to future-proof its business, attract crypto-rich collectors, and streamline transactions. By accepting crypto taps, the auction houses connect with a new class of wealthy buyers who prefer transacting in digital assets rather than liquidating them for fiat currency – which, notes Kima, can trigger tax events. He also suggests that some buyers prefer the pseudonymous nature of crypto for discreet transactions, especially in high-profile sales.</p>



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<p>Regarding the potential risks and challenges of transactions made in virtual currency, Kima warns: “Crypto prices can swing dramatically, creating uncertainty for both buyers and sellers. Some cryptocurrencies, for example Bitcoin, have high energy consumption, clashing with sustainability goals.” In addition, he foresees that regulatory uncertainty could complicate compliance.</p>


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<p>“Cryptocurrency in auctions is a natural evolution, aligning with digital finance trends; however, its long-term success depends on stablecoins [pegged to another asset to mitigate volatility] and clearer regulations,” he says. “If managed wisely, it could democratise art investing, but risks remain.”</p>



<h3 class="wp-block-heading">Trust Issues</h3>



<p>According to Wojtek Paczos, Senior Lecturer in Economics at Cardiff University, cryptocurrencies payment systems operate on the basis of a fundamental mistrust. He says: “Nobody trusts anyone, so the record of transactions must be decentralised: it is kept in millions of copies all over the internet in a so-called ‘ledger’. The fact that it’s decentralised makes it economically inefficient.”</p>



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<p>In his view, for crypto to become a viable means of payment like a standard currency, it must be a unit of account, a store of value, and a medium of exchange. “Cryptocurrencies fail badly across all three [of these qualifying] tests: nobody quotes prices in bitcoins, the set of goods purchasable with bitcoin is severely limited, and the fluctuations in value against traditional currencies render bitcoin an unstable store of value.”</p>



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<p>He believes crypto is highly volatile because it is built on this basis of mistrust and lacks a safety net to prop up its demand, such as by paying taxes via the currency.  “In cryptocurrencies, the demand might simply disappear one day, and there is no formal backstop,” he says.</p>


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<h3 class="wp-block-heading">Scam Alert</h3>



<p>The image of crypto has undoubtedly been tarnished by incidents of scamming and hacking. Coinbase, one of the world’s biggest cryptocurrency exchanges, was hit by a cyberattack last month that is likely to cost it as much as US$400 million. Reportedly, the company refused to pay a bribe demanded by the hackers and has promised to reimburse every client who got scammed.</p>



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<p>Bill Lee, Chief Technology Officer of Web3 pioneer DualMint says the promise of crypto technology has been undermined by a flood of scams, rug pulls and exploitative projects. “To combat this, both the industry and regulators are stepping up,” he shares. </p>



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<p>DualMint emerged as a response to fundamental issues within the current digital ecosystem like ownership, control and transparency.  Offering some measure of reassurance, Lee says: “Within the space, there’s a growing emphasis on auditing, code transparency and self-regulatory standards, such as those promoted by organisations like the Blockchain Association and [blockchain analytics firm] Chainalysis.”</p>



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<p>As digital-currency tech evolves and improves, collectors at auction can take heart in the virtual reality of securing a beloved work of art without paying through notes.&nbsp;</p>


Bitcoin Collecting: The growing use of cryptocurrency in the art market attracts tech-savvy clients– just beware of scam artists…


<p>Once a shy girl who devoted much of her time to her beloved horse, Mikey Madison is now riding the wave of Hollywood success. While labelling herself an introvert, the <em>Anora</em> star enjoys occupying the headspace of extroverts. “If I play these [extreme] characters, then I’m going to get to experience so much life and living through them. And it doesn’t have to be me, you know? I get to have a safety net.” When collecting her Best Actress Academy Award statuette in March this year, Madison stepped up, aged 25, as the first Gen Z Oscar winner for acting.</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2025/06/1a-pt-774x1024.jpg" alt="" class="wp-image-86753" width="581" height="768" srcset="https://www.gafencushop.com/wp-content/uploads/2025/06/1a-pt-774x1024.jpg 774w, https://www.gafencushop.com/wp-content/uploads/2025/06/1a-pt-212x280.jpg 212w, https://www.gafencushop.com/wp-content/uploads/2025/06/1a-pt-768x1016.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2025/06/1a-pt-1161x1536.jpg 1161w, https://www.gafencushop.com/wp-content/uploads/2025/06/1a-pt-1548x2048.jpg 1548w, https://www.gafencushop.com/wp-content/uploads/2025/06/1a-pt-200x265.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2025/06/1a-pt-800x1059.jpg 800w, https://www.gafencushop.com/wp-content/uploads/2025/06/1a-pt-scaled.jpg 1935w" sizes="(max-width: 581px) 100vw, 581px" /></figure></div>


<p>Mikaela Madison Rosberg was born in Los Angeles on 25 March 1999, alongside her twin brother, into a family with a past claim to fame – one of her relatives was Clarence Hailey Long Jr, a rugged Texas cowboy who appeared on the cover of the August 1949 issue of <em>Life</em> magazine and was the inspiration for the iconic cigarette-advertising ‘Marlboro Man’.</p>



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<p>Although growing up in a vibrant city known for its performance arts, young Mikey initially inherited Long’s passion for riding. Her parents, both psychologists and supportive of her ambitions, allowed her to be homeschooled so could dedicate herself to equestrianism. It wasn’t until she was 14 that her head was turned toward acting. “I loved the ritual of getting to the barn and taking care of my horse, but it’s kind of an isolating sport,” she says of horse riding. “I felt called in another direction.”</p>


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<h3 class="wp-block-heading">LA Spirit</h3>



<p>Having enrolled in acting classes, she made the pivotal decision to focus on acting full-time, forgoing college to immerse herself in auditions. It was then that her upbringing in Los Angeles, amid a backdrop of aspiring artists and established stars, provided her with a unique perspective on the entertainment world.</p>



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<p>She first caught the eye at 17 as the eldest, and often angry, daughter in the television family assembled by Pamela Adlon for the comedy-drama series <em>Better Things</em> (2016-2020). “That show was my film school, my college, and I learned a lot about acting too, certainly,” she says.</p>



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<p>Her film breakthrough came in Quentin Tarantino’s <em>Once Upon a Time in Hollywood</em> (2019),&nbsp; which examines the changing dynamics of Tinseltown in the late 1960s. She shone among a large ensemble cast which included big names like Leonardo DiCaprio, Brad Pitt and Margot Robbie, playing the small but pivotal role of Susan ‘Sadie’ Atkins, one of Charles Manson’s notorious ‘family’ who murdered actress Sharon Tate and four others on 9 August 1969. Praised by critics for her authenticity and emotional depth, the young actor demonstrated her versatility and positioned herself as a new talent to watch.</p>


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<p>The main takeaway for Madison herself, though, was the opportunity to be directed by one of her heroes. “It was a dream come true,” she exclaims of working with Tarantino. “It was completely unbelievable and the greatest entry into film for me. But it was also, ‘OK, well, f***, I just worked with my hero at 19. What am I going to do now?’”</p>



<h3 class="wp-block-heading">Brooklyn Bound</h3>



<p>Nabbing the titular role in the Palme d’Or and Oscar triumph <em>Anora</em> (2024) was her answer. In fact, she didn’t even have to audition for the part since writer-director-producer-editor Sean Baker had spotted her in <em>Scream</em> (2022), the fifth instalment of the iconic slasher series, and recalled her work in <em>Once Upon a Time in Hollywood</em>. He wrote this hard-edged, modern American romance centring on a bold, brassy stripper-cum-occasional sex worker with Madison in mind.</p>



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<p>In turn, the actor threw herself into the role, casting off her inner California girl. Displaying her strong work ethic and thirst for perfection, she visited strip clubs, learnt pole dancing and basic Russian, and even lived in Brighton Beach for a month to acquire a thick Brooklyn accent.</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2025/06/3-opt-1024x911.jpg" alt="" class="wp-image-86755" width="768" height="683" srcset="https://www.gafencushop.com/wp-content/uploads/2025/06/3-opt-1024x911.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2025/06/3-opt-315x280.jpg 315w, https://www.gafencushop.com/wp-content/uploads/2025/06/3-opt-768x684.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2025/06/3-opt-1536x1367.jpg 1536w, https://www.gafencushop.com/wp-content/uploads/2025/06/3-opt-2048x1823.jpg 2048w, https://www.gafencushop.com/wp-content/uploads/2025/06/3-opt-200x178.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2025/06/3-opt-800x712.jpg 800w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<p>As she collected a cache of trophies for <em>Anora</em>, Madison dedicated them to the women who earn their living as sex workers. “I’ve made friends who are dancers,” she relates. “I wanted every aspect of Ani’s career and what she does to be realistic – but also [to show] that’s not her entire life; that’s just her job. I didn’t want [her line of work] to be sensationalised or dramatised in a negative way. I just wanted it to be what it was.”</p>



<h3 class="wp-block-heading">Slow &amp; Shy</h3>



<p>She says of the character: “[Ani’s] very boisterous and scrappy and has so much attitude. And she has this incredible fighting spirit that I really admire, and I don’t think that’s me at all. In terms of energy, I’m a lower-energy person. I just move through the world in a slower manner.” A rare celebrity who eschews social media and doesn’t like to talk about herself, the actor prefers to live “in her own little world”.</p>



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<p>Madison has been open about her struggles with shyness and social difficulties as a child, when she found solace spending time with animals. She encourages others to prioritise their mental wellbeing, reinforcing her commitment to authenticity.</p>



<p>As a relatively inexperienced actor, she has been inspired by the women who have paved the way in Hollywood. She acknowledges the importance of representation in film and television, advocating for diverse stories and complex characters. Her passion for storytelling aligns with her desire to contribute meaningfully to the industry.</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2025/06/4-opt-1024x640.jpg" alt="" class="wp-image-86757" width="768" height="480" srcset="https://www.gafencushop.com/wp-content/uploads/2025/06/4-opt-1024x640.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2025/06/4-opt-448x280.jpg 448w, https://www.gafencushop.com/wp-content/uploads/2025/06/4-opt-480x300.jpg 480w, https://www.gafencushop.com/wp-content/uploads/2025/06/4-opt-768x480.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2025/06/4-opt-1536x960.jpg 1536w, https://www.gafencushop.com/wp-content/uploads/2025/06/4-opt-2048x1280.jpg 2048w, https://www.gafencushop.com/wp-content/uploads/2025/06/4-opt-200x125.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2025/06/4-opt-800x500.jpg 800w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<p>“I would like to see more men in power being outspoken about women’s issues in Hollywood… the kind of world we live in, men are in a position of power – actors, producers, directors. They should be uplifting women. I think that should be a man’s role,” she says.</p>



<h3 class="wp-block-heading">Emotional Ride</h3>



<p>Looking ahead to surely an even more glittering future, she is eager to explore new opportunities that challenge her as an actress.  She is keen on taking on diverse roles that push her boundaries and projects that resonate with her values, whether in film or television. “[Acting] is an emotional job, and so for me, I approach it in an emotional way,” she stresses. “I’m taking my time [committing to a new project, and] I’m grateful that I have the luxury of being able to do right now.”</p>



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<p>She acknowledges that making <em>Anora</em> was a “crazy, life-changing” experience. The low-key star views acting as “creating something together” and takes pleasure in the fact “that whatever I make, for at least one person it will be their favourite thing”. With her first headlining role, Mikey Madison has touched the hearts of millions.</p>


Head Over Heels: From horse riding to pole dancing, Anora actor Mikey Madison is assured and authentic in everything she does


<p>A recent survey has shed positive light on Hong Kong’s efforts to lure more tourists and the high levels of public awareness and engagement generated by mega events. Large-scale attractions are seen as an important plank in the drive to attract overseas visitors willing to spend big in the local economy.</p>



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<p>March 2025 was designated a ‘Super’ month by the Hong Kong Tourism Board (HKTB) in an initiative designed to boost the city’s allure. The ‘Super March’ campaign crystallised and capitalised upon a series of major events with international pulling power that were happening that month, including the opening of Kai Tak Sports Park, the Hong Kong Sevens rugby tournament, Art Basel Hong Kong, Art Central and pop culture festival ComplexCon.</p>



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<p>A variety of methods, from websites and social media to online and outdoor advertising, were used to draw tourists into Hong Kong to experience these cultural and sporting highlights and visit new landmarks. A dedicated webpage was set up to promote the campaign, and the HKTB partnered with 40 key opinion leaders and celebrities, who shared first-hand enjoyment of the events on their social-media platforms, resulting in a reported audience reach of more than 10 million followers.</p>



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<p>Super March was the first showcase of seasonal themes involving the strategic bundling of mega events and experiences that define Hong Kong – the likes of gastronomy, arts and culture, festivals, horse racing and sports, nature and outdoor activities, and the giant pandas – for promotions in visitor source markets. It was implemented “so that visitors and travel trade partners [could] have ample time to make travel or sales plans,” stated a HKTB spokesperson.</p>


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<h3 class="wp-block-heading">Surveying Sentiment</h3>



<p>Following Super March, a survey conducted by leading data-driven insights provider MDRi offered a comprehensive understanding of how these events were perceived and experienced by the local community. It focused on key indicators including event awareness, event participants and profiling, likelihood to recommend, and areas of improvement. The effectiveness of brand sponsorship, and sentiment on the Hong Kong economy, the future, and future event preferences were also analysed. The report was based on a “robust” survey sample size of 1,000 respondents from the general public.</p>



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<p>Notable among the survey findings was the invigorating impact of the Super March events on the Hong Kong economy. “A significant 72% of respondents expressed agreement that these events would have a positive effect on the local economy,” says Simon Tye, CEO of MDRi. “This finding underscores the optimism and recognition among the public regarding the economic benefits that these March events can potentially bring to Hong Kong.”</p>



<h3 class="wp-block-heading">Sucking in Tourists</h3>



<p>Driven by this series of mega events, Hong Kong successfully attracted large numbers of visitors in March. The total of 3.8 million – including more than a million non-mainland visitors – represented a year-on-year increase of 12%, according to HKTB figures.</p>



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<p>“Inbound visitors accounted for more than 50%, 40% and 25% respectively for major events such as Art Basel Hong Kong, Hong Kong Sevens and Art Central,” noted the HKTB. “Participants of ComplexCon also grew by 16% compared to last year, with a total sales of HK$87 million in the event.”</p>



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<p>The general economy and the hotel sector also received a boost. “In terms of economic activities, various sectors reported an extra revenue of 15-30% in March. According to the hotel industry, the occupancy rate of hotels in peak districts [was] close to 90%.”</p>



<h3 class="wp-block-heading">Sevens the Star</h3>


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<p>The standout performer among the month’s mega events was the Hong Kong Sevens, reaching an “impressive” 89% awareness among the Hong Kong population, according to the Super March feedback. About 90% of attendees rated their experience positively and expressed strong interest in future participation. Additionally, 89% knew that Cathay and HSBC sponsored the event.</p>



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<p>In another boon for this year’s Hong Kong Sevens, it became the first major event held at Kai Tak Stadium, the new, state-of-the-art sports and entertainment facility designed by Populous, a global architectural firm specialising in arenas. “With a storied history dating back to 1976, this iconic event has woven itself into the collective memory of Hong Kong locals,” says Tye, noting that the new venue and facilities contributed positively to the event’s overall evaluation.</p>



<h3 class="wp-block-heading">Statement Stadium</h3>



<p>Richard Breslin, Senior Principal of Populous and the project’s lead architect, says Hong Kong is putting itself on the world stage as a major centre of sport, art and entertainment tourism. “Seeing the 50,000-seat Kai Tak Stadium packed full of fans from all over the world during the three days of the Rugby Sevens is a real statement from Hong Kong to Asia and the rest of the world that the city is as vibrant and busy as ever,” he enthuses.</p>


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<p>“Kai Tak Sports Park is one of the world’s most integrated sports and entertainment precincts. It’s a city-shaping asset and having the Hong Kong Sevens here brought the event to the city and the city to the world.”</p>



<h3 class="wp-block-heading">Not All Right on the Night</h3>



<p>The draw of Kai Tak Stadium is highlighted by the fact that tickets placed on general sale for next month’s Hong Kong Football Festival were snapped up within hours. Numerous sell-out performances, including by British group Coldplay and Cantopop star Nicholas Tse, also attest to the new venue’s magnetic appeal.&nbsp;</p>



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<p>However, more than 200 complaints were lodged with the city’s consumer watchdog after the Coldplay concert, mainly concerning obstructed views. Similar complaints followed Tse’s show. Tye says such incidents raise valid issues about seating arrangements.</p>



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<p>Another teething problem concerned parking at the stadium. Amrit Sethi, Director of local travel agency Excella Travel, helped facilitate the itinerary of a group of visitors from Mongolia who were “super excited” to be in Hong Kong for Coldplay. “I wove in some other fun activities such as horse racing, city sightseeing and an optional visit to a theme park,” she says. “Some were diehard fans, who even got tattoos done prior to flying over.”</p>



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<p>Sethi states that the group had difficulty returning to their coach after the concert, as the vehicle had been unable to park in the intended area close to the stadium. “They finally did find the driver with real-time location share, but they had to walk quite a distance away.”</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Print_approx_21_x_14_cm_ABMB24__Galleries__GomideandCo__Public_In_HiRes-1024x683.jpg" alt="" class="wp-image-86697" width="768" height="512" srcset="https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Print_approx_21_x_14_cm_ABMB24__Galleries__GomideandCo__Public_In_HiRes-1024x683.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Print_approx_21_x_14_cm_ABMB24__Galleries__GomideandCo__Public_In_HiRes-420x280.jpg 420w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Print_approx_21_x_14_cm_ABMB24__Galleries__GomideandCo__Public_In_HiRes-768x512.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Print_approx_21_x_14_cm_ABMB24__Galleries__GomideandCo__Public_In_HiRes-1536x1024.jpg 1536w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Print_approx_21_x_14_cm_ABMB24__Galleries__GomideandCo__Public_In_HiRes-2048x1365.jpg 2048w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Print_approx_21_x_14_cm_ABMB24__Galleries__GomideandCo__Public_In_HiRes-200x133.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Print_approx_21_x_14_cm_ABMB24__Galleries__GomideandCo__Public_In_HiRes-800x533.jpg 800w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<h3 class="wp-block-heading">Art of Drawing Crowds</h3>



<p>Amid all the plus points of its findings, the MDRi survey did uncover what might be considered a weakness in marketing Hong Kong mega events to the home crowd. Other than the Hong Kong Sevens, less than half of the sample population were aware of the Super March attractions – only 40% of respondents knew about Art Basel, while just 26% and 21% were cognisant of Art Central and ComplexCon respectively. However, in all cases the overwhelming number of attendees viewed their experience positively.</p>



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<p>Tye attributes the lower awareness to the nature of these events, which are primarily focused on art, culture and niche interests and thus may appeal to a smaller segment of the public. He says the success of Art Basel reinforces Hong Kong’s global reputation as a major art centre alongside New York, London and Paris. Interestingly, a profile of event attendees revealed that Art Basel participants had the highest liquid assets (a total of HK$2.74 million).</p>


<div class="wp-block-image">
<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2025/06/opt-739b5195f4f35d5ddb58d65e68e72932-scaled-1-1024x683.jpg" alt="" class="wp-image-86698" width="768" height="512" srcset="https://www.gafencushop.com/wp-content/uploads/2025/06/opt-739b5195f4f35d5ddb58d65e68e72932-scaled-1-1024x683.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-739b5195f4f35d5ddb58d65e68e72932-scaled-1-420x280.jpg 420w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-739b5195f4f35d5ddb58d65e68e72932-scaled-1-768x512.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-739b5195f4f35d5ddb58d65e68e72932-scaled-1-1536x1024.jpg 1536w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-739b5195f4f35d5ddb58d65e68e72932-scaled-1-2048x1366.jpg 2048w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-739b5195f4f35d5ddb58d65e68e72932-scaled-1-200x133.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-739b5195f4f35d5ddb58d65e68e72932-scaled-1-800x533.jpg 800w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<p>Regarding areas of improvement for Art Basel, Tye points to a suggestion by respondents that pre-events should be hosted to introduce the art on show. This might “help build anticipation, generate interest and provide insights into the uniqueness and attractions of the artworks”, he says.</p>



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<p>He believes Art Central serves as a valuable complement to Art Basel by offering a high-exposure platform for emerging artists from the local and Asian art scenes. As for ComplexCon, he suggests its ability to resonate with a younger generation speaks to its relevance in contemporary pop culture and consumer trends.</p>



<h3 class="wp-block-heading">The Big Picture</h3>



<p>Ultimately, the successful experiences of Super March not only reveal long-term implications for the arts, culture, sports and entertainment sectors but also reflect a vibrant cultural identity within the city. “This success could potentially attract more diverse events, promote local talent and stimulate creative industries, which may have lasting positive effects on Hong Kong’s cultural landscape,” says Tye.</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Articles_ArtCentral_report_2025_07-copy-1024x710.jpg" alt="" class="wp-image-86699" width="768" height="533" srcset="https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Articles_ArtCentral_report_2025_07-copy-1024x710.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Articles_ArtCentral_report_2025_07-copy-404x280.jpg 404w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Articles_ArtCentral_report_2025_07-copy-768x533.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Articles_ArtCentral_report_2025_07-copy-200x139.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Articles_ArtCentral_report_2025_07-copy-800x555.jpg 800w, https://www.gafencushop.com/wp-content/uploads/2025/06/opt-Articles_ArtCentral_report_2025_07-copy.jpg 1080w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<p>While Super March focused on mega sporting, art and cultural events, the HKTB is looking to cast the net wider in the future. The travel body suggests that staging international events like conventions and exhibitions can strengthen Hong Kong’s status and influence in different areas, such as financial and medical services, logistics, science and technology.</p>


Mega Mania:  Hong Kong’s big-event approach to reviving tourism and boosting cultural identity is working


<p>While opinions vary on whether now is the right time to buy or sell art, there may be some clarity on the best location in which to do so. The art market in Hong Kong and mainland China is outperforming other regions, and significantly for its future buoyancy, is diversifying to embrace younger collectors.</p>



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<p>Two recently published reports highlight the mixed fortunes of players in the art world. <em>The Art Basel and UBS Global Art Market Report 2025</em> points to a 12% decrease in global art market sales amid a challenging economic environment. Research indicates a more reserved buying and selling environment at the high end of the market, but more positively the broader landscape remains dynamic. Resilience in lower-priced segments is fostering a more diverse market ecosystem.&nbsp;</p>



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<p>On a regional level, indicators for the Asian art scene are encouraging. The newly launched <em>Mishcon de Reya x ArtTactic – China Art Market Report 2025</em> speaks of a “transformative” period for the art market here, as Hong Kong and mainland China become established as a prominent global art centre. It reveals that the global market share for sales of Modern and Contemporary Art in China including Hong Kong has doubled over the last decade, solidifying the country’s position as a key art hub. Having leapt from 7% market share in 2015 to 14% last year, China is now the third-largest art market globally. Furthermore, Hong Kong’s growth rate as an auction centre for Modern and Contemporary Art over the past 10 years has surpassed that of its rivals, New York and London.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>



<h3 class="wp-block-heading">Asian appreciation</h3>



<div class="wp-block-media-text alignwide is-stacked-on-mobile"><figure class="wp-block-media-text__media"><img decoding="async" loading="lazy" width="646" height="806" src="https://www.gafencushop.com/wp-content/uploads/2025/05/Jason-Karas-stand-1.jpg" alt="" class="wp-image-86580 size-full" srcset="https://www.gafencushop.com/wp-content/uploads/2025/05/Jason-Karas-stand-1.jpg 646w, https://www.gafencushop.com/wp-content/uploads/2025/05/Jason-Karas-stand-1-224x280.jpg 224w, https://www.gafencushop.com/wp-content/uploads/2025/05/Jason-Karas-stand-1-200x250.jpg 200w" sizes="(max-width: 646px) 100vw, 646px" /></figure><div class="wp-block-media-text__content">
<p>Jason Karas, Managing Partner of law firm Karas So LLP, who co-authored the China Art Market Report, flags economic growth and wealth creation in mainland China and Hong Kong as main factors in this rise, coupled with a sophisticated art market eco-system of public museums, private galleries, artists, advisers, collectors – including a new generation of buyers – and auction houses.</p>
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<p>He is also optimistic that the wider Asia region will continue to enjoy a higher share of art sales in the foreseeable future. “Asia is likely to continue to be the fastest-growing region in the world and continue to be a magnet for international capital,” he says. “These factors will inevitably lead to further growth in the art market through Asia.”&nbsp;</p>



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<p>Another important development spotlighted by the report is the internationalisation of the Hong Kong art market over the past decade. Co-author Simon Tye, CEO of market insights consultancy MDRi, notes: “Blue-chip Impressionists artists stimulated a remarkable increase in overall Impressionist sales, soaring from just US$247,300 in 2015 to US$68.7 million in 2024. Strong demand for works by Claude Monet and Vincent van Gogh has been a major driver, as their market appeal continues to grow among collectors in the region.”&nbsp;</p>
</div><figure class="wp-block-media-text__media"><img decoding="async" loading="lazy" width="646" height="806" src="https://www.gafencushop.com/wp-content/uploads/2025/05/Simon_Tye_01_edit.jpg" alt="" class="wp-image-86581 size-full" srcset="https://www.gafencushop.com/wp-content/uploads/2025/05/Simon_Tye_01_edit.jpg 646w, https://www.gafencushop.com/wp-content/uploads/2025/05/Simon_Tye_01_edit-224x280.jpg 224w, https://www.gafencushop.com/wp-content/uploads/2025/05/Simon_Tye_01_edit-200x250.jpg 200w" sizes="(max-width: 646px) 100vw, 646px" /></figure></div>



<h3 class="wp-block-heading">China rising</h3>



<p>Asians have dominated the lists of top 10 artists selling for over US$1 million in the last decade, especially Chinese émigrés and Japanese artists. This high standing is driven by global recognition through museum exhibitions and strong auction results in the key markets of New York, London, Paris and Hong Kong, reveals Karas. Their appeal to both international and Asian collectors has reinforced their prominence at the top of the market.</p>



<div class="wp-block-media-text alignwide is-stacked-on-mobile"><figure class="wp-block-media-text__media"><img decoding="async" loading="lazy" width="646" height="806" src="https://www.gafencushop.com/wp-content/uploads/2025/05/Pearl-Lam_edit.jpg" alt="" class="wp-image-86582 size-full" srcset="https://www.gafencushop.com/wp-content/uploads/2025/05/Pearl-Lam_edit.jpg 646w, https://www.gafencushop.com/wp-content/uploads/2025/05/Pearl-Lam_edit-224x280.jpg 224w, https://www.gafencushop.com/wp-content/uploads/2025/05/Pearl-Lam_edit-200x250.jpg 200w" sizes="(max-width: 646px) 100vw, 646px" /></figure><div class="wp-block-media-text__content">
<p>Some exhibitors at Art Basel Hong Kong in March commented on a strong interest in Chinese artists among fairgoers. “I’m particularly encouraged by the interest in Zhu Jinshi, a true pioneer of Chinese abstraction,” said Pearl Lam, who owns galleries in Hong Kong and Shanghai. She also noticed growing visitor curiosity for the works of Su Xiaobai.</p>
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<p>However, she issued a word of warning: “Let’s be real: this is a challenging time for Chinese artists on the global stage. We’re facing Trump-era tariffs and a climate that complicates the promotion of Chinese art.”</p>



<h3 class="wp-block-heading">Demand for diversity</h3>



<p>Dawn Zhu, Director for Asia at international gallery Thaddaeus Ropac, noted that those who once focused primarily on Chinese or Asian contemporary art are increasingly interested in Western contemporary art, reflecting a quest to diversify collections. The gallery, which had one of its best years at Art Basel Hong Kong, showed high-quality works spanning established names and younger artists, aiming to respond to the varied interests of collectors in Hong Kong and Southeast Asia.</p>



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<p>Commenting on the growth in demand for art in Asia, Zhu says: “The region’s expanding collector base and institutional infrastructure are signs that this trajectory might continue, although there are many other geopolitical and economic factors that will influence this and other global markets.”</p>



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<p>According to Levent Özmen, Senior Gallery Director of Istanbul-based Dirimart, oil on canvas paintings, particularly those by the new generation of upcoming artists, are catching the eye of many collectors. He opined that business at Art Basel Hong Kong has yet to return to the optimism of pre-Covid times, but he drew positives from the experience, saying: “We have always perceived our presence at the fair as a long-term project and value networking over sales.”</p>
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<h3 class="wp-block-heading">Young at art&nbsp;</h3>



<div class="wp-block-media-text alignwide is-stacked-on-mobile"><figure class="wp-block-media-text__media"><img decoding="async" loading="lazy" width="646" height="806" src="https://www.gafencushop.com/wp-content/uploads/2025/05/Melle-Hendrikse_edit.jpg" alt="" class="wp-image-86584 size-full" srcset="https://www.gafencushop.com/wp-content/uploads/2025/05/Melle-Hendrikse_edit.jpg 646w, https://www.gafencushop.com/wp-content/uploads/2025/05/Melle-Hendrikse_edit-224x280.jpg 224w, https://www.gafencushop.com/wp-content/uploads/2025/05/Melle-Hendrikse_edit-200x250.jpg 200w" sizes="(max-width: 646px) 100vw, 646px" /></figure><div class="wp-block-media-text__content">
<p>Gallerist Melle Hendrikse, who founded C-Space (now known as CLC Gallery Venture) in the Caochangdi Art District of Beijing in 2008, believes further growth in China’s burgeoning art market is being driven by new, and especially young, collectors. “We especially had very strong interest in the works by Zhang Shujian and Wang Xuan,” said Hendrikse of Art Basel Hong Kong, where he showcased predominately Chinese artists alongside some international names.&nbsp;&nbsp;&nbsp;&nbsp;</p>
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<p>Garth Grierson, founder of Hong Kong-based Art Curators Hub, concurs. “There are younger buyers and collectors coming into the market, which is very encouraging for the future of art,” he says, adding that Asian art is taking the lead in Asia as the market recovers.</p>
</div><figure class="wp-block-media-text__media"><img decoding="async" loading="lazy" width="646" height="806" src="https://www.gafencushop.com/wp-content/uploads/2025/05/Garth2.jpg" alt="" class="wp-image-86585 size-full" srcset="https://www.gafencushop.com/wp-content/uploads/2025/05/Garth2.jpg 646w, https://www.gafencushop.com/wp-content/uploads/2025/05/Garth2-224x280.jpg 224w, https://www.gafencushop.com/wp-content/uploads/2025/05/Garth2-200x250.jpg 200w" sizes="(max-width: 646px) 100vw, 646px" /></figure></div>



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<p>The shift to youth noted by these gallerists is borne out by the China Art Market Report. Its research shows that nearly 40% of bidders and buyers in Asia are from the Millennial and Gen Z age groups, whose growing interest in art equates to a form of personal expression as well as an investment. “The auction market is increasingly driven by a younger demographic, which should secure its future growth and longevity,” says Karas. “As the global wealth transfer accelerates, this demographic is set to play a pivotal role in driving demand and market dynamics.”</p>



<h3 class="wp-block-heading">Affordable icons</h3>



<p>The report also highlights a notable increase in sales volume over 2023 and 2024 in the sub-US$50,000 sector, where young contemporary artists represent 26.9% of lots sold. “The interest in younger artists is a likely reflection of more demand from NextGen collectors who are collecting artists from their generation,” adds Karas.</p>



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<p>Renowned Asian artists such as Zao Wou-Ki and Sanyu, as well as international icons such as Pablo Picasso, also featured in auction sales at the lower end of the market. “It’s important for new and younger collectors to understand that the global art market and established (blue-chip) artists are accessible through multiple price points, from multimillion-dollar artworks to affordable options such as works on paper or limited editions and prints,” says Karas.&nbsp;</p>



<h3 class="wp-block-heading">Women artists on the verge</h3>



<p>Diversification, which is a key catalyst for growth in the Hong Kong and Mainland China Modern and Contemporary Art market, extends to an increasing demand for works by women artists. At auction in Hong Kong, the number of women artists featured has tripled in the past six years, from 79 in 2019 to 231 in 2024. As Karas notes, there has been a significant global shift – including in Asia – towards greater inclusivity and gender diversity in the art market and the broader art world.</p>



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<p>Furthermore, Asian and Chinese artists dominate this emerging section of the Hong Kong and mainland China market, with seven out of the top 10 women artists by sales value hailing from the region. “The rising stocks of women artists from Asia could be at least partially owed to the trend of museums hosting retrospective shows on women artists from the region,” explains Karas. “Examples include the Yayoi Kusama show at M+ in 2022-23, and two at London’s Tate Modern – Anicka Yi in 2021-22, and Yoko Ono in 2024.” Karas also reveals a broader trend of expanding art markets throughout Asia, reflected in the development of new art infrastructure and events in other cities in China and in South Asia, and driven by economic growth, wealth accumulation and a new generation of collectors.&nbsp;</p>


Artful Flush of Youth: Younger and wealthier collectors are fuelling China’s rapidly rising art market, elevating its global importance


<p>As generative artificial-intelligence tools from Grammarly to ChatGPT grab the popular imagination, the world’s creatives feel increasingly marginalised, fearful of their ability to eke out a living in the all too near future. Generative AI sifts through human-generated content – texts, sounds, images and videos – to train its models to compose music, or create a painting, or generate a TV advert. Scraping through such data, known as text and data mining (TDM), is often without the consent of the content owners.</p>



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<p>Protests against the use of AI to create new forms of artistic output without recompense or the consent of the original creators rage on around the globe. A protest album called <em>Is This What We Want?</em> was released earlier this year in response to proposed changes in UK copyright law that would mean AI developers could train their models using material available on the internet unless those holding the rights to this content specifically elected to opt out of providing permission.</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2025/05/Feature2_May2025_image01-opt-1024x683.jpg" alt="" class="wp-image-86527" width="768" height="512" srcset="https://www.gafencushop.com/wp-content/uploads/2025/05/Feature2_May2025_image01-opt-1024x683.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2025/05/Feature2_May2025_image01-opt-420x280.jpg 420w, https://www.gafencushop.com/wp-content/uploads/2025/05/Feature2_May2025_image01-opt-768x512.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2025/05/Feature2_May2025_image01-opt-1536x1024.jpg 1536w, https://www.gafencushop.com/wp-content/uploads/2025/05/Feature2_May2025_image01-opt-2048x1366.jpg 2048w, https://www.gafencushop.com/wp-content/uploads/2025/05/Feature2_May2025_image01-opt-200x133.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2025/05/Feature2_May2025_image01-opt-800x534.jpg 800w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<p>Available on Spotify, the album consists of silent recordings from empty studios and performance spaces, and involved more than 1,000 musicians. The 12 tracks listed spell out a powerful message: “The British Government must not legalise music theft to benefit AI companies.”</p>



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<p>In the art world, an Augmented Intelligence auction held in New York this spring also caused a furore. Prior to the sale, an open letter signed by thousands of artists called for its cancellation, decrying the “mass theft” of human artists’ work by AI companies.</p>



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<p>The vexatious issue is underscored by the fact that many governments are keen to promote a thriving ecosystem for both tech firms and artistic creators, even though myriad legal and ethical considerations swirl around the promotion of this nascent technology.</p>



<h3 class="wp-block-heading">Composer protection</h3>



<p>Due to AI’s increasing influence in various sectors, the Hong Kong government launched a public consultation last year on the enhancement of the Copyright Ordinance to reflect AI technology development. In its submission to the consultation paper, the Composers and Authors Society of Hong Kong (Cash) – which manages the copyright of musical works for more than three million members locally and from affiliated societies overseas – said copyright protection should not only be provided to the “arranger” of the works but also extend to the author or owner of the underlying work. Like the protesters in the UK, it believes an opt-out model proposed by the government unfairly shifts the burden to the copyright owner who has to take an active step to safeguard their rights.</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2025/05/AI-Copyright_01-opt-1024x1024.jpg" alt="" class="wp-image-86528" width="768" height="768" srcset="https://www.gafencushop.com/wp-content/uploads/2025/05/AI-Copyright_01-opt-1024x1024.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2025/05/AI-Copyright_01-opt-280x280.jpg 280w, https://www.gafencushop.com/wp-content/uploads/2025/05/AI-Copyright_01-opt-768x768.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2025/05/AI-Copyright_01-opt-1536x1536.jpg 1536w, https://www.gafencushop.com/wp-content/uploads/2025/05/AI-Copyright_01-opt-200x200.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2025/05/AI-Copyright_01-opt-800x800.jpg 800w, https://www.gafencushop.com/wp-content/uploads/2025/05/AI-Copyright_01-opt-100x100.jpg 100w, https://www.gafencushop.com/wp-content/uploads/2025/05/AI-Copyright_01-opt.jpg 2048w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<p>Instead, Cash proposes the implementation of an opt-in system, arguing that “the default position should be … it is illegal to use any music without permission, unless the author or the composer has expressed an intention to sell their rights to the tech company.” In their view, when there is commercial use of copyrighted material for TDM purposes, the owners of the work should be remunerated, and this remuneration should be based on licensing arrangements between the owners and the AI companies.</p>



<h3 class="wp-block-heading">Legal conundrum</h3>



<p>Hong Kong-based lawyer Ellie Patel, the founder and CEO of Re-think Legal, believes the generative AI issue is exacerbated by the legal framework in most jurisdictions lagging behind modern technological developments. “Governments are now scrambling to put in place laws to govern the creation and use of AI, but this is just the start of the process,” she says. “Ultimately, it’s only when these laws are interpreted and tested by the courts, and harmonised on an international level that real certainty regarding rights and obligations will be established.”</p>



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<p>Patel is torn on the subject of “fair use” exemptions to train AI models. These allow for use of content without the threat of copyright infringement in certain circumstances, such as education and news reporting. As a trademark and intellectual property expert, she has clients who are creators and others who are in the tech industry.</p>



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<p>She supports the development of AI, viewing it as an increasingly important public and corporate tool. “That said, creators also need protection and, in the main, should be rewarded for their contribution,” she notes. “It is all about striking a balance between the two – but striking that balance is no mean feat.”</p>



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<p>Jonathan Chu, an Intellectual Property Partner at CMS in Hong Kong, warns that if there are too many restrictions on the use of copyright works for training AI, it will hamper innovation, and jurisdictions with the most stringent laws on AI development will be left behind. He urges greater clarity on the issue.</p>



<h3 class="wp-block-heading">Remixing the past</h3>



<p>Hong Kong University of Science and Technology Professor Andrew Horner, whose primary research interests are music synthesis and timbre, sees generative AI as the exciting new “kid on the creativity block” shaking up the artistic landscape. He has no qualms about generative AI learning from the “rich tapestry of existing content – music, literature, visual art and more”.</p>


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<p>He states that throughout history, artists have drawn inspiration from each other’s creations. “A classic example in music is Miles Davis paying tribute to Stravinsky’s <em>The Rite of Spring</em>,” he says. “In this sense, generative AI is simply carrying forward this vibrant legacy. No creator operates in a vacuum; they are always influenced by the world around them and the inspirations that strike their fancy.”&nbsp;</p>



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<p>Two disco songwriters recently lost a legal case alleging that Dua Lipa copied her single <em>Levitating</em> from their tracks, and Horner believes this highlights the beautiful – and sometimes tricky – dance of creativity. “It’s only natural for songwriters to mix and remix elements from others’ work, adding their own unique flair,” he insists. “After all, if you create something that inspires, it’s likely others will want to take that spark and run with it.”</p>



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<p>For him, the crux of the matter is whether the output of generative AI models resonates with us and inspires meaningful experiences. “It’s an exhilarating time for creativity, making it easier than ever to play with sounds and forge new musical landscapes,” he says. “There are so many ways to pay tribute to a song: you can cover it, create a mashup that fuses it with another track, or compose something entirely fresh that reflects your personal take on it. It’s all part of the vibrant tapestry of music-making.”</p>



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<p>Horner suggests the creative lineage of a piece should be honoured by giving a shout-out to the artist or artists who influenced it. Musician David Robinson, who is paid royalties for a book and tape he created, is strongly in favour of AI as a tool to enhance the creative process, but believes musicians should be compensated if AI uses their material.</p>



<h3 class="wp-block-heading">Pushing art forward</h3>



<p>Art-world pioneers including Refik Anadol, Sougwen Chung, Sander Coers, Anna Ridler and Victor Wong have used AI to expand artistic possibilities, blending human intuition with machine-generated aesthetics. Karen Sanig, who founded Art Law at Mishcon de Reya, says that for some artists, AI is less a threat than a transformative tool, deeply integrated into their creative processes in sophisticated ways. However, she is concerned that AI systems which scrape vast datasets of artworks en masse, and without consent, deny artists control over how their work is used or reproduced.</p>



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<p>AI-generated imitations could also both damage the integrity of a work of art and dilute an artist’s reputation, hence conversations about moral rights (such as the right to attribution, or the protection of a work’s integrity), passing off are vital alongside copyright considerations.</p>



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<p>“Legislators face a daunting challenge – not only must they crystallise a formula to regulate a technology that evolves daily, they must reconcile AI’s data-driven mechanics with intellectual property frameworks built largely for human authorship,” notes Sanig.</p>



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<p>Hong Kong-based entrepreneur Matey Yordanov of Antei AI Development Hub says he has developed an imperceptible ‘mask’ technology that adds an invisible layer to any type of media, leading to the corruption of the AI training output if protected files are used. “This not only safeguards the media from being copied, but also prevents deepfakes and impersonation of artists, which is becoming increasingly more critical with the development of AI,” he affirms.</p>


Rage Against the Machine:The humans whose creative output feeds AI bots are striking back on the legal battleground


<p>Cantonese opera is the art form that captures the essence of Hong Kong’s unique identity most magnificently. With its vibrant costumes, exquisite melodies and narratives steeped in history, this cherished tradition is more than just an artistic expression; it is a living testament to the region’s heritage and culture. In the fast-changing landscape of a 21st-century city, these performances hold the potential to spark conversations, addressing contemporary challenges while paying respect to age-old traditions.</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2025/05/10-edit_opt-1024x677.jpg" alt="" class="wp-image-86414" width="768" height="508" srcset="https://www.gafencushop.com/wp-content/uploads/2025/05/10-edit_opt-1024x677.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2025/05/10-edit_opt-423x280.jpg 423w, https://www.gafencushop.com/wp-content/uploads/2025/05/10-edit_opt-768x508.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2025/05/10-edit_opt-1536x1016.jpg 1536w, https://www.gafencushop.com/wp-content/uploads/2025/05/10-edit_opt-2048x1355.jpg 2048w, https://www.gafencushop.com/wp-content/uploads/2025/05/10-edit_opt-200x132.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2025/05/10-edit_opt-800x529.jpg 800w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<p>Arguably second only to Beijing opera in national prominence, Cantonese opera traces its roots back to the late 19th century, emerging in Guangdong province before flourishing in Hong Kong. At its core, it integrates music, theatrical performance, dance and martial arts, creating a multifaceted experience that encapsulates storytelling at its finest. As the genre evolved, it absorbed influences from other regional opera styles, as well as Western theatrical elements, refining its characteristic flair.</p>



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<p>Also known as Yueju, this form of traditional Chinese opera gained immense popularity during the early 20th century, becoming a staple of local culture among the Cantonese-speaking population. The grand performances, staged in popular theatres or makeshift bamboo sheds, provided an escape from the everyday struggles of life. With poignant stories that reflected societal norms, family values and historical events, the artful spectacle became both a source of entertainment and a medium for social commentary.</p>


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<p>Cantonese opera stands not only as an artistic expression but as a vital thread in the fabric of Hong Kong’s cultural identity. As we navigate the complexities of modern life, it is essential to recognize the opera’s role in fostering community bonds and nurturing a collective consciousness. The performances, rich in emotional depth and historical significance, invite audiences to reflect on their own lives while engaging with the moral dilemmas presented on stage. This connection transcends mere entertainment; it becomes a dialogue across generations, where stories of valor and virtue resonate with the struggles faced today.</p>



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<p>To secure the future of this cherished art form, it is imperative that we actively engage with and support Cantonese opera in innovative ways. By integrating modern technology and contemporary themes into traditional narratives, we can attract younger audiences who might otherwise overlook this cultural gem. Educational programs, interactive workshops, and digital platforms can serve as gateways, allowing the youth to explore the intricacies of this art. Moreover, partnerships with schools and community organizations can spark interest and appreciation, ensuring that Cantonese opera is viewed not just as a relic of the past but as a vibrant and relevant medium of expression.</p>


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<p>In doing so, we honour the legacy of those who came before us while paving the way for future storytellers and performers. Each note sung, each movement performed, is a celebration of resilience and creativity that deserves to endure. By embracing the echoes of our heritage today, we contribute to a cultural phoenix that rises anew, ensuring that Cantonese opera continues to enchant, educate, and inspire for generations to come. In this way, the art form not only survives but thrives, becoming a living testament to the heart and soul of Hong Kong.</p>



<h3 class="wp-block-heading">Artistry for All</h3>



<p>As a reflection of Hong Kong’s rich cultural tapestry, Cantonese opera forms a vital link to the past. Through iconic narratives like <em>The Flower Princess and Legend of the Purple Hairpin</em>, audiences are transported to a time when valour, virtue and loyalty were celebrated virtues. The melodies resonate through the generations, keeping these stories alive while simultaneously fostering a collective memory within the community.</p>


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<p>Often starting from a young age, performers train rigorously to master not just the intricate movements but also the subtle nuances of vocal and physical expression. The elaborate costumes and distinctive makeup serve as essential components, allowing them to embody characters that speak to the complexity of human nature. The evocative music requires skilful playing of traditional Chinese instruments like the erhu, pipa and gong. This artistry encapsulates not only the beauty of performance but also the craftsmanship and dedication embedded within the tradition.</p>



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<p>Beyond being purely an entertainment medium, Cantonese opera serves as a mirror reflecting societal issues, acting as a platform for dialogue. Historical tales often interweave moral lessons, encouraging audiences to ponder their own lives and the world around them.</p>



<h3 class="wp-block-heading">A Diminishing Stage</h3>



<p>As with many traditional art forms, Yueju faces a myriad of challenges in the modern era. The pace of urbanisation, shifting entertainment preferences, and the rise of technology have led to a gradual decline in audiences and venues. Many local troupes and historic opera venues like the Ko Shing Theatre and the Sunbeam Theatre have closed down, leaving a void in the cultural landscape.</p>


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<p>For older people, Cantonese opera signifies a profound connection to their heritage, especially as they witness younger members of the family drawn to more contemporary forms of entertainment. The gap between generations poses a profound threat to its continuity. Without intervention and support, the vibrant echoes of this once-thriving art could fade into silence.</p>



<h3 class="wp-block-heading">Guardians of Tradition</h3>



<p>Efforts to preserve Cantonese opera’s legacy are underway. The Hong Kong Arts Festival has embaked upon a three-year initiative to promote the ancient art form, which kicked off this year with a series of programmes curated by local maestro Yuen Siu-fai. It played its part in 2023 too, premiering <em>Love in the Bamboo Grove</em>, a new Cantonese opera penned by Raymond To.</p>



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<p>Cultural organisations, universities and community centres can also be instrumental by offering workshops and performances that engage younger audiences, igniting their interest in the art form. Collaborations between traditional opera troupes and contemporary artists can bridge the old and the new, instilling pride in local heritage among today’s youth.</p>



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<p>Major venues like the Xiqu Centre in the West Kowloon Cultural District offer a platform for renowned troupes to showcase their talent. Last month, for instance, veteran performers Mao Weitao and Chen Huiling joined hands as the visiting all-women Zhejiang Xiaobaihua Yue Opera Troupe took to the stage. With a focus on promoting traditional performances, the Xiqu Centre plays a significant role in elevating the status of Yueju within the cultural landscape. Annual cultural events such as the Chinese Opera Festival and the more experimental Black Box Chinese Opera Festival provide further opportunities for enriching performances.</p>


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<p>Initiatives to promote inter-generational dialogue, outreach programmes and innovative performances that interlace tradition with contemporary relevance can rekindle interest in this ancient art. Pop-up performances in public spaces, digital media outreach and collaborations with schools can not only draw in younger audiences eager to experience this vibrant tradition, but also draw together diverse audiences, creating a sense of community and shared cultural identity. By supporting and attending these events, the public can help sustain the traditions that define Hong Kong.</p>



<h3 class="wp-block-heading">A Cultural Phoenix</h3>



<p>The road ahead for Cantonese opera entails both challenges and opportunities. The art form stands at a pivotal moment where it can either thrive anew or face further decline. By collective effort and cherishing this art as a critical aspect of Hong Kong’s identity and cultural heritage, we can ensure it continues to enchant and inspire future generations.</p>



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<p>As we move through this era of rapid change, it is crucial to remember that Cantonese opera is not merely an art form confined to the stages of yesteryear. It embodies the heazrt and soul of Hong Kong, reflecting its struggles, triumphs and unique identity. For those who dare to embrace its complexities, the nostalgia of the past weaves into the fabric of contemporary culture, creating a narrative that is still unfolding.</p>



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<p>By recognising the cultural significance of Cantonese opera, actively participating in its preservation, and celebrating its vibrancy, we ensure that these resounding echoes of heritage will continue to thrive in the dynamic heart of Hong Kong, maintaining the legacy of a beloved tradition for generations to come.</p>


Echoes Of Heritage:  A link to the past that draws us together, Cantonese opera speaks to the soul of Hong Kong


<p>Anne Hathaway has been a fixture in Hollywood for more than two decades, cementing her status as one of America’s most beloved and talented actresses. With her girl-next-door charm and undeniable acting chops, the ingénue has blossomed into an influential humanitarian and won over audiences worldwide.</p>



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<p>Born in Brooklyn, New York in 1982, Hathaway was drawn to the performing arts and appeared in local theatre productions while still at school – her mother, Kate McCauley, was an actress. “I knew from a very early age that this is what I wanted to do with my life,” she reflects. “There was just something about being on stage that felt so natural and exhilarating to me.”</p>


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<p>The family moved to New Jersey, where she graduated from Millburn High School and attended Vassar College before transferring to New York University’s Gallatin School of Individualized Study. Her breakout role came in 2001 when she was cast as the clumsy-yet-charming Princess Mia Thermopolis in The Princess Diaries. The movie was a runaway success, and Hathaway’s star began a rapid ascent.</p>



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<p>Showing her versatility as an actor, she took on a variety of roles, from ground-breaking romance <em>Brokeback Mountain </em>(2005) and comedy <em>The Devil Wears Prada</em> (2006) to iconic musical <em>Les Misérables</em> (2012), for which she won an Academy Award for Best Supporting Actress.</p>


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<p>“As an actor, I’m always looking to push myself and tackle roles that will allow me to grow and explore new emotional terrain,” says Hathaway, who turns 42 in November. “Fantine (a single mother forced into prostitution in <em>Les Misérables</em>) was one of the most demanding and rewarding parts I’ve ever had the privilege of playing.”</p>



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<p>Her modus operandi is to immerse herself completely in her roles. For Fantine, she shed 25 pounds and resolved to shave her head after researching that this look was genuine to the historical period. She also insisted on more than 20 takes of her character’s lament, <em>I Dreamed a Dream</em>, despite the fact that director Ang Lee thought she had nailed it on the fourth attempt. </p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2024/07/GettyImages-2036466844-819x1024.jpg" alt="" class="wp-image-82348" width="614" height="768" srcset="https://www.gafencushop.com/wp-content/uploads/2024/07/GettyImages-2036466844-819x1024.jpg 819w, https://www.gafencushop.com/wp-content/uploads/2024/07/GettyImages-2036466844-224x280.jpg 224w, https://www.gafencushop.com/wp-content/uploads/2024/07/GettyImages-2036466844-768x960.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2024/07/GettyImages-2036466844-1229x1536.jpg 1229w, https://www.gafencushop.com/wp-content/uploads/2024/07/GettyImages-2036466844-1639x2048.jpg 1639w, https://www.gafencushop.com/wp-content/uploads/2024/07/GettyImages-2036466844-200x250.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2024/07/GettyImages-2036466844-800x1000.jpg 800w" sizes="(max-width: 614px) 100vw, 614px" /></figure></div>


<p>She gets so into the zone when filming that she feels as if she leaves her body: “The truth is that you let go. You black out a little bit. You come up at the end and you’re like, ‘What just happened?’”</p>



<h3 class="wp-block-heading">Positive Outlook</h3>



<p>Hathaway has spoken candidly about her approach to life and happiness. “I think the most important thing is to find what you love and just go for it,” she once said. “Don’t let fear or self-doubt hold you back.”</p>



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<p>She also emphasises the importance of self-care and finding balance in life. “It’s so easy to get caught up in the hustle and bustle of this industry, but I’ve learned that it’s crucial to take time for yourself. Whether it’s a yoga session, a long walk, or just a quiet moment of reflection, those moments of self-care are what keep me grounded and happy.”</p>


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<p>Hathaway’s commitment to authenticity and willingness to show vulnerability have also been sources of inspiration for her fans. “I’ve had my fair share of ups and downs, and I think it’s important to be honest about that,” she says. Her first husband, Italian property developer Raffaello Follieri, was imprisoned for fraud in 2008. “It’s not always easy, but I believe that by embracing our flaws and our struggles, we can find true happiness and fulfilment.” </p>



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<p>She believes she is now less stressed and nicer as a mother to Jonathan, eight, and Jack, four – her sons with actor-producer Adam Shulman whom she married in 2012 – and applies that gentleness to herself: “When I was younger, the way that I knew how to improve was by being hard on myself. There’s a ceiling to that path. I had to relearn what it means to have a drive but to do it in a nurturing way. And that’s when you go, ‘Oh, if there’s a ceiling, I haven’t discovered it yet.’”</p>



<h3 class="wp-block-heading">A Voice for Good</h3>



<p>Off-screen, Hathaway uses her platform to advocate for important causes. She is a long-time supporter of the Nike Foundation’s efforts to empower adolescent girls in developing countries, lending her celebrity to raise awareness and funds for initiatives in education, healthcare and economic opportunities. In addition, she has been a vocal advocate for LGBTQ+ rights and mental health issues, using her social-media platform to speak out against discrimination and destigmatise conversations about mind wellness. She has also participated in fundraisers and public awareness campaigns related to these causes, demonstrating her commitment to using her influence to create positive change. </p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2024/07/Anne-Hathaway-5-819x1024.jpg" alt="" class="wp-image-82344" width="614" height="768" srcset="https://www.gafencushop.com/wp-content/uploads/2024/07/Anne-Hathaway-5-819x1024.jpg 819w, https://www.gafencushop.com/wp-content/uploads/2024/07/Anne-Hathaway-5-224x280.jpg 224w, https://www.gafencushop.com/wp-content/uploads/2024/07/Anne-Hathaway-5-768x960.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2024/07/Anne-Hathaway-5-1229x1536.jpg 1229w, https://www.gafencushop.com/wp-content/uploads/2024/07/Anne-Hathaway-5-1639x2048.jpg 1639w, https://www.gafencushop.com/wp-content/uploads/2024/07/Anne-Hathaway-5-200x250.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2024/07/Anne-Hathaway-5-800x1000.jpg 800w" sizes="(max-width: 614px) 100vw, 614px" /></figure></div>


<p>“I believe that we all have a responsibility to use our voice and platform to make a positive difference,” she remarks. “These are issues that are deeply important to me, and I’m honoured to be able to lend my support.”</p>



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<p>Through her philanthropic work and willingness to use her voice for important social issues, Hathaway has consistently shown that she is dedicated to making a meaningful impact beyond her achievements in the entertainment industry. Her determination to do good serves as an inspiring example for her fellow celebrities and the general public alike.</p>



<h3 class="wp-block-heading">Future Path</h3>



<p>From Disney adolescent princess to celestial monarch in Tim Burton’s <em>Alice In Wonderland </em>(2010), Anne Hathaway is a real Hollywood blue blood. Paradoxically, she is the go-to girl next door; intellectual and alluring; and as loved by women as she is cherished by men. She shows no signs of slowing down, continuing to captivate audiences with her work. She earned praise for her role as WeWork founder Adam Neumann’s wife Rebekah in the Apple TV+ miniseries <em>WeCrashed </em>(2022), starred in this year’s Amazon Prime romantic comedy <em>The Idea of You</em>, and will appear opposite Ewan McGregor in the sci-fi movie <em>Flowervale Street</em> next year.</p>


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<p>When reflecting on her remarkable career, Hathaway emphasises the importance of staying true to oneself. “The best advice I can give is to find what lights you up and pursue it with passion and authenticity,” she says. “That’s the path to true fulfilment, both professionally and personally.”</p>



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<p>Guided by her inspiring talent, unwavering dedication and compassionate spirit, Anne Hathaway’s remarkable journey serves as a testament to the power of following your dreams – and underlines how celebrities can use their platform to make a difference in the world.</p>


Ways of Hathaway: America’s sweetheart Anne Hathaway has journeyed from girl next door to empowering woman of the world


<p>Colourful flowers enrich our lives with their mesmerising beauty and charm and have an amazing ability to lift the spirits on all occasions. Through the ages, these masterpieces of creation have inspired great works of art, acting as metaphors for the meaning of life itself, and decorated literature with wondrous wordplay. Among their fragrant appeal, they can serve as symbols of cultural identity displayed with pride. Here, we smell the roses and other national flowers with interesting stories to tell.</p>



<h3 class="wp-block-heading">Yellow wales</h3>



<p>The daffodil has been the symbol of national identity in Wales since the 19th century, and was especially visible in the time of David Lloyd George, the only Welsh Prime Minister of the UK (1916-22). The politician would often go to events wearing a daffodil, especially around 1 March, which is St David’s Day, the National Day of Wales. He also wrote newspaper articles promoting the daffodil and detailing why the yellow bloom should be used to unite the country.</p>


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<p>A spokesperson for the National Museum of Wales relates in a BBC podcast why the daffodil, the bright trumpet of spring in many countries, became such an important symbol for Wales as the former principality sought to retain its identity in the 1800s: “There was a real sense of urgency that [Welsh] histories and culture were going to be lost and because of this desperation, a lot of what was told and written was actually invented. The daffodil became one of the symbols that was invented as a signifier of Welshness and what made Wales different to England and other countries of the United Kingdom.”</p>



<h3 class="wp-block-heading">Leek out</h3>



<p>It was the leek which had been the national emblem of Wales for hundreds of years. Indeed, legend has it that David, the patron saint of Wales, ordered his soldiers to identify themselves in a sixth-century battle against the Saxons – which happened to take place in a leek field – by wearing the plant on their helmets. The leek and the daffodil in the Welsh language share the name ‘cenhinen’ – the daffodil is ‘cenhinen pedr’, Peter’s leek in Welsh. The daffodil emerged the stronger from this semantic confusion as a more potent symbol of Welsh identity.</p>



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<p>The leek was given short shrift in the 19th-century cultural revival in Wales, and according to the National Museum of Wales spokesperson, by 1858 the daffodil had superseded it as the national symbol. She notes the existence in the museum of a triple harp, made in that year by Bassett Jones, with a daffodil carving, signifying the importance of the flower to the Welsh people. Another similarly extravagant harp from Jones dated 10 years earlier has no sign of a daffodil.</p>



<h3 class="wp-block-heading">Narcissist tendencies</h3>



<p>The beauty and vanity associated with daffodils – as mentioned, Lloyd George would regularly pin one on his button hole – is fitting as the Latin name for daffodil is narcissus. In Greek mythology, Narcissus fell in love with his own reflection and pined away, while Persephone, the queen of the underworld, found the daffodil more beautiful than any bloom she had ever seen. They are currently harvested in the Welsh mountains for galantamine, a compound in the bulb used in the treatment of Alzheimer’s disease.</p>


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<p>Many botanists believe Spain was the epicentre of the genus narcissist and from there it spread along the Mediterranean and beyond, although there are question marks surrounding the route of travel. Narcissus tasseta, known as the Chinese sacred lily but actually a type of daffodil, symbolises good fortune in China, and is commonly used in New Year celebrations. The Japanese believe the daffodil brings joy and mirth.</p>



<h3 class="wp-block-heading">Cherry and gold</h3>



<p>While Japan has no official national flower, the sakura, or cherry blossom, is a cultural phenomenon in the country. Symbolising the transient nature of life, its fleeting beauty is celebrated annually with hanami (flower-viewing) festivals, where families gather under blooming trees to appreciate the petals’ momentary splendour.</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2024/06/GettyImages-1251980252-1024x683.jpg" alt="" class="wp-image-82083" width="768" height="512" srcset="https://www.gafencushop.com/wp-content/uploads/2024/06/GettyImages-1251980252-1024x683.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2024/06/GettyImages-1251980252-420x280.jpg 420w, https://www.gafencushop.com/wp-content/uploads/2024/06/GettyImages-1251980252-768x512.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2024/06/GettyImages-1251980252-1536x1024.jpg 1536w, https://www.gafencushop.com/wp-content/uploads/2024/06/GettyImages-1251980252-200x133.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2024/06/GettyImages-1251980252-800x534.jpg 800w, https://www.gafencushop.com/wp-content/uploads/2024/06/GettyImages-1251980252.jpg 1600w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<p>The chrysanthemum is the other important flower in Japan. Derived from the Greek name, krus anthemon, meaning ‘gold flower’, it symbolises longevity and rejuvenation; a 16-petalled chrysanthemum is the Japanese imperial crest.</p>



<h3 class="wp-block-heading">Name of the rose</h3>



<p>Roses have been the focus of song, literature, art and legend for centuries across many cultures. The woody perennial’s powerful symbolism perhaps lies in its mutability – it has been a signifier of everything from sex to socialism, and romance to religious belief. It inspired some remarkable Persian poetry and even the first punk rock single in the UK – New Rose (1976) by The Damned.</p>



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<p>Shakespeare penned the verse “A rose by any other name would smell as sweet” in Romeo and Juliet, while Othello, in his murderous rage, cries: “When I have plucked the rose, I cannot give it vital growth again: It needs must whither, I’ll smell thee on the tree.”</p>


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<figure class="aligncenter size-large is-resized"><img decoding="async" loading="lazy" src="https://www.gafencushop.com/wp-content/uploads/2024/06/pexels-hieu-697259-1024x683.jpg" alt="" class="wp-image-82084" width="768" height="512" srcset="https://www.gafencushop.com/wp-content/uploads/2024/06/pexels-hieu-697259-1024x683.jpg 1024w, https://www.gafencushop.com/wp-content/uploads/2024/06/pexels-hieu-697259-420x280.jpg 420w, https://www.gafencushop.com/wp-content/uploads/2024/06/pexels-hieu-697259-768x512.jpg 768w, https://www.gafencushop.com/wp-content/uploads/2024/06/pexels-hieu-697259-1536x1024.jpg 1536w, https://www.gafencushop.com/wp-content/uploads/2024/06/pexels-hieu-697259-2048x1365.jpg 2048w, https://www.gafencushop.com/wp-content/uploads/2024/06/pexels-hieu-697259-200x133.jpg 200w, https://www.gafencushop.com/wp-content/uploads/2024/06/pexels-hieu-697259-800x533.jpg 800w" sizes="(max-width: 768px) 100vw, 768px" /></figure></div>


<p>Although the rose is often associated with England, it is a truly global flower. Most of the cultivated roses in England originate from a handful of wild species, with varietals coming from ancient gardens in China, Turkey and Persia, and their background is one of Byzantine complexity. Interbreeding of roses has added more than 80 hybrids into the British mix, creating a thicket of thorny identification problems.</p>



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<p>In the magnificent David Austin Rose Gardens in the heart of the Shropshire countryside, the midsummer air is heavy with the scent of nearly 800 varieties of roses in bloom, many with rich, luscious, bowl-shaped blossoms. Amid crowds thronging to see beds of exotic roses of all shapes, textures, hues and scents, its managing director David Austin Jr told the BBC: “Nobody can really track down – as far as I know – how we suddenly got from the single-flowered simple rose to these beautiful multi-petalled roses. So, it is a little bit of a mystery!”</p>



<h3 class="wp-block-heading">English emblem</h3>



<p>England’s floral badge is the Tudor rose, a plant which does not exist but represents the amalgamation of two English houses – Lancaster and York – following the so-called Wars of the Roses in the 15th century. Five white inner petals and five red outer petals make up the bright red floral emblem that adorns the England team sports shirts, British coins and magnificent buildings such as Hampton Court Palace in London.</p>



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<p>Jennifer Potter, author of The Rose: A True History, believes the concept of the Tudor rose was one of the great political inventions. “It emerged out of massively successful Tudor spin doctoring,” she commented. “The so-called Wars of the Roses were actually no such thing, or at least they weren’t fought under the banner or the emblem of roses.”</p>



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<p>The rose was declared the national flower of the United States in 1986, when Ronald Reagan signed a proclamation in the White House Rose Garden. The states within the United States, though, have their own separate flowers and emblems.</p>



<h3 class="wp-block-heading">Tulip mania</h3>



<p>Despite originating in Turkey, it was Holland that became the global trading hub of the tulip in the 17th century, and ‘tulip mania’ took hold following frenzied trading. Rare varieties were sold over and over again even before they had even flowered, and the subsequent implosion was probably the first recorded stock-market crash.</p>


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<p>Interestingly, the tulip is not the national flower of the Netherlands, but that of Hungary. A public vote last year placed the daisy as the Dutch unifying bloom.</p>


Flower Power: Striking national posies can instil a strong sense of cultural pride


<p>Aaron Taylor-Johnson has captivated audiences worldwide with his versatile acting and magnetic on-screen presence. The British talent, who turns 34 this month, has carved out an impressive career, transitioning seamlessly from independent films to big-budget blockbusters, and industry spies suggest he might take on the biggest action role out there – a certain Bond, James Bond.</p>



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<p>Born in 1990 in High Wycombe, England, Taylor-Johnson’s passion for the arts blossomed at a young age. He recalls: “As a kid, I was always putting on little shows and performances for my family. I knew early on that acting was my calling.” His breakthrough role came in 2009 when he starred (under his birth name, Aaron Johnson) in the critically acclaimed film Nowhere Boy, portraying the teenage John Lennon. The performance earned him a trio of British film award nominations and showcased his remarkable talent. “I wanted to do justice to Lennon’s story and capture the complexity of his character,” the actor reflects.</p>


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<p>Following this breakout success, he continued to impress, taking on diverse roles that showcased his impressive range. In 2010, he headlined the action-packed Kick-Ass, playing a high-school student who becomes a superhero. “I loved the opportunity to explore the duality of the character – the shy teenager and the fearless masked avenger,” he says.</p>



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<p>Taylor-Johnson’s range was further demonstrated in films like Anna Karenina (2012), Godzilla (2014) and Nocturnal Animals (2016), for which he earned critical acclaim and a Golden Globe Best Supporting Actor trophy. “I’m drawn to characters that challenge me and allow me to step outside of my comfort zone,” the actor reveals.</p>
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<h3 class="wp-block-heading">Age is More Than a Number</h3>



<p>In life and work, Taylor-Johnson has advanced quickly. In addition to acting from the age of six, he married his Nowhere Boy director Sam Taylor-Wood in 2012 at just 22 and had children at a young age. His wife is 24 years his senior, and the couple adopted a shared surname of Taylor-Johnson.</p>



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<p>When he was 13, he starred in the Jackie Chan-Owen Wilson vehicle, Shanghai Knights, and at the youthful age of 15, he dropped out of school. He gained knowledge by working on movie sets instead of attending drama school. “You work with good and bad actors, divas and non-divas. You learn how not to behave. You get skilled at misbehaving,” he claims.</p>


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<p>Reflecting on (as it turned out) a well-spent youth, he recalls his travels with his mother to London from their Wycombe home – a 60-mile round trip – to attend countless auditions. “It wasn’t easy. Sometimes I’d audition twice a day five days a week, up and down London. My mum would take me to Amersham.”</p>



<h3 class="wp-block-heading">Quite the Character</h3>



<p>Taylor-Johnson has consistently sought out diverse and challenging roles, a strategy that has played a pivotal role in shaping his versatile on-screen persona. “I’m not interested in playing the same type of character over and over again,” he has said. “I want to constantly challenge myself and explore new avenues of storytelling.”</p>



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<p>Each performance has showcased his remarkable ability to inhabit vastly different characters and bring them to life with authenticity and depth. “As an actor, I’m constantly searching for roles that will push me to grow and expand my abilities,” he explains. “I’m not afraid to take risks or step outside of my comfort zone if it means I can deliver a powerful and memorable performance.”</p>
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<p>This dedication to exploring new creative horizons has earned the actor critical acclaim and a reputation as one of the most versatile performers of his generation. “I’m driven by a desire to tell stories that matter, to create characters that resonate with people on an emotional level,” he shares. “That’s what keeps me motivated and excited about my craft.”</p>



<h3 class="wp-block-heading">2024, Beyond and Bond?</h3>



<p>Fast-forward to 2024, and Taylor-Johnson still seems to be moving at a faster pace than many of his peers. He will appear in Robert Eggers’ remake of the 1922 F.W. Murnau silent horror masterpiece Nosferatu with Bill Skarsgård, who plays the titular vampire. On the horizon too is the lead role in the Marvel superhero instalment Kraven the Hunter. Next year there will be Fuze, a heist thriller from Hell or High Water director David Mackenzie, and 28 Years Later, Danny Boyle’s post-apocalyptic sequel.</p>



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<p>More flamboyant, mainstream roles have been inserted in between. He recently starred in David Leitch’s charming action film The Fall Guy, portraying an arrogant A-lister whose stuntman happens to be Ryan Gosling. Huge action scenes abound in the movie, which is basically Barbie’s Ken amplified to the maximum.</p>



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<p>At time of writing, Taylor-Johnson neither confirms nor denies the Bond rumour. “I don’t feel like I need to have a future drawn out for me,” he says. “It’s the best when you sometimes lose all inhibitions completely, and you feel like you’re dangling there, and the director has sort of got one finger on the back of your shirt, so you don’t fall. It’s all about chasing that feeling. There’s nothing so exhilarating as that.”</p>



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<p>This analogy is nearly exactly in line with the vibrancy and physical elegance that define his on-screen persona. Whether he’s fighting Brad Pitt on a Bullet Train or tearing through the African savannah with a knife in the Kraven the Hunter trailer, Taylor-Johnson has shown that he is an incredibly physical actor for whom the tough demands of the part are intrinsic to the character’s transformation. He explains: “I grew up dancing; I work with movement coaches.”</p>


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<p>As Taylor-Johnson continues to impress audiences and critics alike with his diverse filmography, it is clear that his impact on the industry will be felt for years to come. By challenging preconceptions and demonstrating the power of versatility and emotional depth, the actor has set a new standard for what it means to be a celebrity.</p>



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<p>Wondering what’s next for Hollywood’s most grounded new leading man has occupied many column inches in the entertainment media. Will he really step into Daniel Craig’s shoes? Well, it’s certainly no time for dreams to die.</p>


Kraven Power: From Bullet Train to Marvel villain and on to Bond? Aaron Taylor-Johnson remains surprisingly grounded


<p>The age-old traditions of Chinese medicine have continued to thrive in Hong Kong, standing as a testament to the enduring wisdom of holistic healing practices. Traditional Chinese Medicine (TCM) in Hong Kong has long been regarded as a reliable and effective approach to maintaining overall health and treating a wide range of ailments. </p>



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<p>Practitioners of this ancient art often take a comprehensive view of the body, focusing on the delicate balance of yin and yang, as well as the flow of vital energy, known as qi. Through the use of herbal remedies, acupuncture and other traditional techniques, Chinese medicine aims to address the root causes of health issues, rather than just treating the symptoms – a common criticism of routine Western medical practice.</p>


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<p>One of the key advantages of Chinese medicine is its emphasis on preventive care and the promotion of overall well-being. Practices like acupuncture, tai chi and herbal therapy seek to strengthen the body’s natural defences and increase resilience to disease. This stands in contrast to the Western medical model, which often relies on reactive measures and the use of prescription drugs to manage symptoms.</p>



<h3 class="wp-block-heading">Herbal Hospital</h3>



<p>The opening of the Chinese Medicine Hospital, Hong Kong’s first TCM hospital, in Pak Shing Kok, Tseung Kwan O, in late 2025 is slated to serve as a showcase for international attempts to integrate Western and traditional practices. “This is a Chinese medicine hospital, but there will be a number of Western medicine examination facilities,” says its CEO, Professor Bian Zhaoxiang, a renowned authority in traditional Chinese medicine. </p>



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<p>The government-funded hospital will have a total of 400 beds – including 250 in inpatient wards, 90 in day wards, 40 in paediatric wards, and 20 in the clinical trial and research centre. The highly anticipated opening of its Chinese medicine inpatient wards will mark “the first time in Hong Kong’s history that there will be such services,” notes Bian. Some 65 per cent of the new hospital’s services will be subsidised by the government, with the remainder provided by the private sector. Currently, private practitioners provide 95 per cent of TCM services in the city.</p>


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<p>“Hong Kong’s Chinese medicine sector should seize the opportunity to capitalise on our characteristics and strengths &#8230; to demonstrate the value of traditional Chinese medicine and the collaboration between Chinese and Western medicine to the world,” says Lo Chung-mau, Hong Kong’s Secretary for Health.</p>



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<p>A cooperation agreement between the upcoming facility and the Guangdong Provincial Hospital of Traditional Chinese Medicine has been also inked, covering areas like talent exchange, database setup and the creation of a network for scientific research. Lo declares that Chinese medicine in Hong Kong will reach “new heights” as a result of the partnership with the state-run Guangdong hospital. “With the rich experience and technology sharing from the [Guangdong hospital], I believe that the Chinese Medicine Hospital of Hong Kong will be able to launch its services smoothly,” he noted at the signing ceremony in January.&nbsp;</p>



<h3 class="wp-block-heading">Holistic Endeavour</h3>



<p>While Western medicine has made remarkable advancements in the fields of diagnostics, surgical procedures and pharmaceutical interventions, it is often criticised for its narrow focus on treating specific symptoms or conditions. In contrast, Chinese medicine takes a more holistic approach, viewing the body as an interconnected system and seeking to restore balance and harmony.</p>



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<p>Dr Arthur Lau Chun-wing, the Chinese Medicine Hospital’s Deputy Chief Executive in Western Medicine, anticipates that the new facility will capitalise on the advantages of the two types of treatment. “I hope we can formulate standards that can serve as the blueprint for the world to follow and reference,” he says.</p>


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<p>China’s main medical practices have historically been acupuncturing and herbal therapy. Acupuncture is regarded as a yang therapy, and for more persistent problems, yin herbal medicine is used in addition. Arguably the most advanced in the world, the Chinese herbal system encompasses thousands of recipes and plants. The majority of herbs are used in combinations, with eight or more different plants often combined to provide a synergistic cure. Additionally, animal parts are frequently included in medicinal formulae. Two examples to treat asthma are dried caterpillar fungus and gecko tails. A highly sought-after and costly tonic in Hong Kong is created from the saliva of the swiftlet bird.</p>



<h3 class="wp-block-heading">Chinese vs Western</h3>



<p>Studies have demonstrated the efficacy of certain Chinese medicine practices in treating conditions such as chronic pain, digestive disorders and even certain types of cancer. However, the reliability and scientific evidence behind Chinese medicine remains a subject of ongoing discussion, with some Western medical professionals expressing scepticism about the lack of standardised clinical trials and the potential for inconsistent quality control.</p>



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<p>Dr Leung Ting-hung, the former Director of the Centre for Health Protection in Hong Kong, has said: “Chinese medicine can complement conventional Western treatments, but patients should be cautious of unsubstantiated claims. The safety and quality of Chinese medicine products require more regulation and oversight.”</p>



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<p>The pros of TCM in Hong Kong include its long-standing tradition, its holistic approach to health, and its potential effectiveness in treating certain conditions. Many patients appreciate the natural and non-invasive nature of Chinese medicine treatments, as well as the emphasis on maintaining balance and harmony within the body. On the downside, doubters cite the lack of standardised quality control, and the potential for inconsistent or unreliable results and adverse reactions with Western medications. Additionally, some Chinese medicine practices, such as the use of endangered animal parts, have raised ethical concerns.</p>



<h3 class="wp-block-heading">Future Tradition</h3>



<p>Cheung Wai-lun, the Hong Kong Health Bureau’s Project Director for the Chinese Medicine Hospital, says officials want to coordinate and promote the quality development of Chinese medicine. “Besides local development of the sector, we hope to cooperate with the motherland’s development plans in this area. That is to use Hong Kong as a platform – like a display window – to showcase to the world how Chinese medicine can be applied.”</p>



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<p>Ko Shing Street in Sheung Wan has been the heart of the wholesale trade in Chinese herbal medicine in Hong Kong for 100 years. It’s nirvana for herbal or health geeks, and a must-visit to witness a unique insight into the past. While shopkeepers in this iconic street find it challenging to keep their stores operational due to Hong Kong’s expensive rent and living expenses, preserving these customs and ensuring that they continue to influence modern holistic treatment in the future are essential.</p>



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<p>As the city continues to navigate the dynamic landscape of healthcare, the role of traditional Chinese medicine remains an integral part of the city’s medical landscape. While the debate over its reliability and effectiveness compared to Western medicine continues, the enduring legacy of this ancient practice serves as a reminder of the importance of preserving and exploring diverse approaches to healing and well-being.</p>


Healing Heritage: With TCM wards and Western diagnostics, Hong Kong can break through borders as a Chinese medicine frontier 


<p>From the late 15th century when the Western colonial powers held sway over vast swathes of the world, hordes of precious artefacts were seized as spoils of war or amassed in other ways. Many were sold privately and larger numbers still ended up in the great encyclopaedic museums of Europe.</p>



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<p>As territories gained their independence following the Second World, they began to voice a desire for the return of cultural treasures that had been looted, purchased or gifted. Arguments about the legitimate ownership of such heritage pieces are long and complex, but in recent years Western governments and institutions have begun to heed a groundswell of public opinion and make accommodations for some to head back to their original home.</p>



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<p>In the UK, the issue is complicated by a law that prohibits national museums from permanently handing over items in their collections. To circumvent this legal hurdle and find common ground, a collaborative approach is required.</p>



<h3 class="wp-block-heading">Contested marbles</h3>



<p>It was reported last year that the British Museum had engaged in talks with Greece over the fate of the Parthenon sculptures. The Elgin Marbles, as they are known in the UK, are perhaps the most famous of the contested colonial artefacts in the museum’s collection. The Parthenon, ancient Athens’ most important temple, sat atop the Acropolis and was decorated with marble statues and a sculpted frieze depicting heroes and gods at a festival in honour of the goddess Athena.</p>



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<p>The exact circumstances surrounding permission in 1801 for British ambassador Thomas Bruce, the Earl of Elgin, to remove “some pieces of stone with old inscriptions and figures”, as he put it, have been debated ever since. At a UK parliamentary committee convened in 1816 to investigate the possible purchase of the marbles from Lord Elgin and assess their worth, British sculptor John Flaxman called them “the finest works of art … [and] the most excellent of their kind that I have ever seen”.</p>


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<p>Cultural commentators are divided on the issue of important national symbols – as the Parthenon Marbles are to the Greeks – residing in institutions that belong to another country. Many believe there is a strong moral argument for the repatriation of cultural treasures acquired during colonial times. Indeed, in a poll last year, the majority of the British public supported the marbles’ return to Greece in a cultural partnership.</p>



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<p>British sociologist Tiffany Jenkins, author of the book Keeping their Marbles, believes the Elgin Marbles perform a valuable service by sitting in the British Museum, where a reported 75% of visitors are from overseas. When viewed there, in context with galleries showing artefacts from the Roman Empire, for instance, it is possible to see the influence the Parthenon had on other cultures.</p>



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<p>The Greek government has sought the return of the marbles from Britain for more than 40 years. The remaining Parthenon sculptures reside in a state-of-the-art museum next to the Acropolis, where a place has been reserved for those removed by Elgin. It is thought the Greeks wanted to strike an agreement that would mean masterpieces like the mask of Agamemnon could be shown in the UK for the first time.</p>



<h3 class="wp-block-heading">Regalia return</h3>



<p>The British Museum and the Victoria and Albert Museum (V&amp;A) announced details in January of a long-term loan agreement whereby gold and silver regalia from the ancient Asante royal court will be displayed at the Manhyia Palace Museum in Kumasi, Ghana. These artefacts are of cultural, historical and spiritual significance to the Asante people and the announcement was greeted with joy by Ghanaians; many of the objects will be seen in the country for the first time in 150 years. The collaboration follows an official visit to London by the Asantehene (King of Asante) Otumfuo Osei Tutu II in May last year.</p>



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<p>“We are delighted to be lending these beautiful and significant cultural objects for display in Kumasi in this the Asantehene’s Silver Jubilee year and the 150th anniversary of the Anglo-Ashanti war, and to be doing so through a collaboration with Manhyia Palace Museum and the V&amp;A,” said Lissant Bolton, Keeper of Africa, Oceania and the Americas at the British Museum.</p>


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<p>Items from the British Museum collection include those looted during a later conflict, in 1895-1896, as well as gifts to the museum presented during trade negotiations in the early 19th century. Among them are the Mpomponsuo sword of state and a small gold ornament in the form of a lute-harp (sankuo).</p>



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<p>For its part, the V&amp;A is lending 17 objects, including all 13 pieces of Asante royal regalia it acquired at a Garrard auction in 1874. Standouts are a gold peace pipe and three gold soul-washers’ badges (akrafokonmu) that were worn around the necks of court officials responsible for cleansing the king’s soul.</p>



<h3 class="wp-block-heading">Moot loot</h3>



<p>A report commissioned by French President Emmanuel Macron in 2018 called for thousands of African artworks in French museums taken without consent during the colonial period to be returned to the continent. France duly gave back 26 objects to Benin from a collection known as the Abomey Treasures that were looted by French forces in 1892 – including statues, portable altars, palace doors and a throne. The gesture was part of French moves to improve its image in Africa and allow Africans access to their heritage.</p>



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<p>Belgium is also making strides to repatriate many items taken during its colonial occupation of the Congo. King Philippe recently handed over a magnificent large wooden mask to Félix Tshisekedi, President of the Democratic Republic of the Congo. Other items are set to follow.</p>


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<p>Now scattered in museums in the UK, the US, Germany and elsewhere, the Benin Bronzes are another collection of artefacts whose repatriation in some form have been urged. These superb royal and personal objects crafted from the 16th century onwards at the behest of the court of the Oba (king) in Benin City (in modern-day Nigeria) include elaborately decorated cast plaques, commemorative heads, and animal and human figures.</p>



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<p>The 1860 plunder of Yuanmingyuan (the Old Summer Palace) in Beijing left a treasure trove of Chinese art and artefacts in British hands. Years later many were sold at auction houses and found their way into museums. Unesco has estimated that about 1.6 million Chinese relics are in the possession of 47 museums worldwide, including about 1 million looted from Yuanmingyuan. Chinese antiquarians believe more than 10 times that number are in the hands of private collectors. Some of these precious heritage objects are now being bought by wealthy Chinese and returning to China. The fate of the remainder is open to speculation.</p>



<h3 class="wp-block-heading">India pride</h3>



<p>India has been hankering since independence in 1947 for the return of the Koh-i-Noor diamond acquired by Britain during colonial times from the 10-year-old Maharajah of Punjab. Following its arrival in Britain, the Koh-i-Noor was eventually cut by Dutch master craftsmen in perfect symmetry with 33 facets on top and the same number underneath. Widely lauded for its dazzling beauty, the diamond was set in successive royal crowns, most lately that of Queen Elizabeth the Queen Mother. Pakistan has also laid claim to the jewel.</p>



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<p>One interesting development, which organisers are hoping will provide a new model for sharing art across borders, is an exhibition at the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya in Mumbai, India of items on long-term loan from the British Museum, the Berlin State Museums and J. Paul Getty Museum in Los Angeles. On display until 1 October 2024, Ancient Sculptures: India, Egypt, Assyria, Greece, Rome brings great works of antiquity from Western museums to an Indian audience and helps shed light on the interconnectivity between religions and cultures since ancient times.</p>



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<p>“We see the exhibition as a unique and important educational endeavour that provides our Indian audiences and children with new ways of viewing their own culture as a result of seeing it in relation to other societies and geographies,” said Sabyasachi Mukherjee, director general of the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, also noting that a high percentage of India’s young people might never have the opportunity to travel and experience the art and culture of other parts of the world.</p>


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