Camille Sze arrives for our cover shoot like the universe is already in on the joke. She makes a face, half comedian, half reluctant model, and gestures toward the camera crew with the energy of someone who definitely wasn’t born for posing. “I know I can’t master this part,” she says, trying a confident stance. Pausing as if expecting her body to correct itself, she manages something between a runway strut and a confused Roomba. The crew laughs; Sze laughs louder.

She doesn’t give up on the pose, though. She grins, adjusts her hands, and leans into her own “quirky” personality with a defiant intensity. Suddenly, the shots snap into place, each one a little better than the last. The President of K.S. Sze & Sons models the way she treats jewellery: not as a performance, but as an interactive craft.

Unusually, Sze has selected two locations for our cover shoot, because if you’re going to tell the story of a woman who returned to her Hong Kong roots to lead a ‘star’ legacy jeweller, you can’t do it with one address. She demands city-wide, connection-forward bling in more than one language. So after wrapping up at Nuovo furniture showroom, she breezes into private members’ club HKGTA Town Club with her entourage of makeup artists, stylists, assistants and K. S. Sze & Sons staff – an entire moving constellation of people who know her rhythms and standards.

Switching a standard photo into a signature statement, she strikes a pose with a bracelet worn on her leg. “It’s my way of stepping into my parents’ and family’s decades-long legacy,” she explains. “It’s challenging, but it’s every moment worth it.” With this gesture, she demonstrates how her sense of humour becomes sincerity and her sincerity strategy. Sze has not only inherited the heritage, but she’s learning to wear it with comfort, impact and a future built into every jewel.

Family First

Before the 2023 passing of her father, Dr. Nien Dak Sze, Sze’s life carried the familiar rhythms of the US, where she was born and educated, and where her family name – though registered in New York as a limited liability company – is a less familiar brand. K.S. Sze & Sons, known as ‘Gold Star Jewellery’ in Chinese, was founded in Shanghai in 1923 by her grandfather, landed in Hong Kong in 1949, and has enjoyed pride of place as a prestige jeweller in the Mandarin Oriental since 1963, before moving to Ice House Street just recently.

Despite being armed with over a decade of award-winning creative and strategic work for Fortune 500 brands, the Harvard University alumnus’s self-doubt shows as she relates her rise to head of the family business, presenting it not as destiny, but as uncertainty, then commitment. “I never asked [the family] if I was capable of taking on the role; it seemed like a rabbit hole of negativity none of us had time to consider,” she notes.

“What I did openly acknowledge was an urgent goal of appreciating and understanding the culture of Hong Kong.” She pauses, as the pivot in the narrative turns from pressure to purpose. “Not only does this matter as a business practice, but it matters to my personal growth, above all.  Am I a tourist here in Hong Kong? Or, is it more accurate to say, I am finally home?”

It’s a question that threads through everything Sze does, especially the way she handles the jewels themselves – treating her heritage not like a museum artefact but as something alive and will evolve if you let it.

Second Century

“It’s 2026, and it’s still here,” she says of the now fourth-generation jeweller. “Mission accomplished. But there are a lot of challenges ahead.” The ‘mission accomplished’ tone is not complacency; it’s earned endurance. But now the work changes; her aim is to transform the brand as it journeys to a second successful century.

She’s deeply grateful to her mother, Cecilia Wong Sze, for “putting up with a lot of mistake-making”, a phrase so human it almost feels like a rare gemstone: polished honesty. “I see myself as a genuine work-in-progress,” she states, adding that beginners are bestowed a gift seasoned professionals sometimes lose: the willingness to ask, test and revise.

The mother’s experience has shaped the daughter’s confidence, not by silencing mistakes but by creating an environment where mistakes can become learning. “We are a team,” she says. “But let me be perfectly honest about a clear line of distinction: she is my mother, a trusted guide to listen and learn from. I am more than lucky… I am truly, truly blessed.” Cecilia provides the strategic elegance, while Camille is the relentless driver behind the transformation.

While recognising that working closely with family comes with “pitfalls”, she also names the antidote: trust. She credits her staff as “the walls holding up the company’s earned trust. With that trust comes something indispensable: we create room for each other as a team to grow.”

Priceless Luxury

Sze offers a sharp, practical definition of luxury – one that isn’t designed for social media: “The apex of luxury is not the sheen of marketing.” For her, luxury is comfort, atmosphere, and the feeling that jewellery lovers will be treated with dignity and patience. “Ownership standing guard on the premises is rare in the jewellery business,” she says.

Then she reframes the company’s business philosophy: clients are not trend-chasing consumers; they are collectors, appreciators, people who have risen with Hong Kong’s own jewellery evolution. They don’t want gimmicks; they want fit, adjustment, convenience and aftercare. “We don’t Google their status,” she says. “We don’t play games with their right to be served.” She calls her clients brilliant and their creativity priceless. Jewellery isn’t viewed as a product line, but a shared narrative.

Sentimental Sustainability

She describes stepping into her father’s shoes after his passing as a challenge, then a bond “post mortem”. She unpacked boxes, thousands of gems, read his handwritten notes and treasured his keepsakes. From that exploration came the Leftovers project, a personal search for ways to keep her father closer through the objects he helped shape. It has become popular with a wave of clientele who want to renew their own jewellery and remembrances.

“For every missing earring, there is an opportunity to create a charm or pendant,” she says. “For every heirloom buried at the bottom of a jewellery box, there is an opportunity for deeply meaningful transformation.”

Under her leadership, the company has created custom pieces that transform these ‘leftovers’, including a diamond-encased David Yurman dog tag. Shattered jade doesn’t get thrown away; it gets treasured, reinterpreted and reimagined for clients. They even accept customer requests to repair beloved jewels from other brands, from Cartier to Mikimoto. To Sze and family, it’s an honour and a privilege to help savour love for jewellery.

Camille Cameo

Today, she wears her father’s vintage Burberry necktie close to her heart, adorned with some of her latest creations. She stops for a moment during the interview, eyes focused somewhere between concentration and courage. Then barely audible, like a private thought meant for the universe alone, she whispers to herself: “Let’s do this, Dad. We got this.”

Camille Sze doesn’t just represent K.S. Sze & Sons, she inhabits it – humorously, bravely, and with the kind of conviction that only comes from learning to be at home in your own story. And when a century-old business becomes yours to transform, you don’t pose perfectly for the camera. You revise and adjust constantly, and while you keep the gems close, you step forward.

Interview, Text & Art Direction: Joseff Musa   Photographer: Jack Law   Videographer: Iris Ventura    Hair styling: Annakay Simpson-Upadek   Makeup: Jaime Smith   Venues: Nuovo Collection Showroom & HKGTA Town Club   Jewelleries: K.S. Sze & SONS Jewels, Friendship bracelets, earrings and anklet   Wardrobe: Katerin Theys